Naomi Osaka Says She's Not God, Could Drop to 84 in Rankings After Australian Open

Naomi Osaka was overflowing with sass this week, heading into the Australian Open, after her early withdrawal from the warmup tournament Melbourne Summer Set 1. Osaka has said that her primary goal in 2022 is to have fun and never cry again in front of the press.

Losing her third round match Friday night to the promising 20-year-old, 60th-ranked American Amanda Anisimova, Osaka was disappointed but also looking on the bright side of things.

Osaka: “I’m Not God. I can’t win every match, you know.”

“I fought for every point; I can’t be sad about that,” Osaka said. “You know, like, I’m not God. I can’t win every match, you know. So I just have to take that into account and know that it would be nice to win the tournament, but that’s, like, really special.”

Having fun was also important to Anisimova, who said that by the third set against Osaka, she was no loner nervous.

“I love playing in these high-pressure moments, and I think it’s really fun to play in Melbourne in front of a crowd like that. So I was just trying to enjoy every moment really. I kept reminding myself, ‘I’m at a Grand Slam playing against Naomi Osaka, just try to enjoy it, because it’ll be over soon.’”

Naomi Osaka, the defending champion of the Australian Open lit up digital space earlier in the week, saying that she has proved herself enough and that she doesn't give a f--- anymore about those who have something negative to say about her.

Osaka responded directly to a fan who wrote on Instagram: "Enter every match in this tournament like you have something to prove.” It’s not clear that the remark was so snarky or disrespectful, but Osaka fired back:

"Respectfully I don't have anything to prove," Osaka said. "Before my first slam I was told I had potential but probably not gonna capitalize on it. After my first slam I was told I got lucky and I was a one-hit wonder.

After my second Slam I was told I could be great but I was unsure. After my third and fourth slams I was told I will only be good on hard courts. Moral of the story - people are always gonna have something to say and idgaf [I don't give a f***] anymore."

Is Kanye West Headed to Russia, Inviting Putin to His Church Service? For Real?

Is Kanye West Headed to Russia, Inviting Putin to His Church Service? For Real? AOC The Wokes

Ye [formerly Kanye West] made headlines every day this week. Nothing new about that fact, but Billboard’s January 11, 2022 story that the entertainer intends to grow his business in Russia with billionaire developer Aras Agalarov and Agalarov's musician son, EMIN was picked up by Forbes and Business Insider giving it credibility.

AOC found the story totally plausible, given Ye’s relationship with the Trump family and Trump’s relationship with the Agalarovs. Kanye dined with Jared Kushner one-on-one in Miami Beach on January 7, with both parties denying that any business was discussed. The story broke four days later.

Trump and the Agalarovs

In 2013, the Russian oligarch and his son EMIN arranged the kind of spectacle in Moscow that Trump adores. Trump arrived as a surprise guest, with an armored Mercedes stretch limo driving off a freight elevator fight into a ballroom where 3000 Russian guests couldn’t believe their eye as Trump emerged to greet them.

Politico refreshed our memories about Trump and Agalarov in 2016. As Trump sought the nomination for the US presidency, the political website published When Donald Trump brought Miss Universe to Moscow. The article fills in much more background about the 2013 event.

It was West’s confidant and strategic advisor Ameer Sudan who told Billboard that they were working on the arrangements. Russia is going to be “a second home” for Ye, Sudan said: “He will be spending a lot of time out there.”

There’s no disagreement that Sudan is tied closely to West.

Sotheby's Will Auction 200 Pairs of Louis Vuitton and Nike ‘Air Force 1’ by Virgil Abloh

For more info about the scholarship fund and some of Virgil’s students, read The Cut’s article published after his passing, in December 2021.

Sotheby's Will Auction 200 Pairs of Louis Vuitton and Nike ‘Air Force 1’ by Virgil Abloh, to Support The Virgil Abloh™ “Post-Modern” Scholarship Fund AOC Art of Living

Sotheby's is proud to present The Louis Vuitton and Nike “Air Force 1” by Virgil Abloh, a special global online auction of the highly coveted Nike x Louis Vuitton “Air Force 1" sold to benefit The Virgil Abloh™ “Post-Modern” Scholarship Fund, an organization that aims to foster equity and inclusion within the fashion industry by providing scholarships to academically promising students of Black, African American, or African descent.

The auction marks the first-ever release of the Louis Vuitton and Nike “Air Force 1” by Virgil Abloh created for the Louis Vuitton Spring-Summer 2022 Collection. Prior to his passing on 28 November 2021, the Louis Vuitton Men’s Artistic Director was involved in the early organization of the auction and its surrounding events. The auction will take place in association with his family.

Each pair will be sold with a Louis Vuitton pilot case in orange Taurillon Monogram Leather (exclusive to this auction), which was likewise featured in the collection.

Starting from the launch of the auction, the shoes and the pilot case will be exhibited at Sotheby’s New York. Visitors are welcome to view the exhibit free of charge, and can make an appointment to do so through our reservation page.

A total of 200 pairs of the Nike “Air Force 1” – originally created for the Louis Vuitton Spring-Summer 2022 Men’s Collection – is being made available in an exclusive colorway and a range of sizes.

Heidi Klum Sizzles with Snoop Dogg in Dance Video 'Chai Tea with Heidi'

Top model, businesswoman and wife of Tokio Hotel guitarist Tom Kaulitz, Heidi Klum Sizzles with Snoop Dogg in Dance Video 'Chai Tea with Heidi', which also features Los Angeles-based DJ-Producer duo WeddingCake.

The ‘America’s Got Talent’ judge, cohost on Amazon’s version of Project Runway called ‘Making the Cut’ and former Victoria’s Secret mega star, Heidi Klum hasn’t done anything musical since her 2006 track ‘Winter Wonderland’. Pushing 50 and madly in love with her 17 years younger husband, Klum delivers an impressive performance. And she owns the camera.

Heidi explained to People Magazine that it all began innocently enough. In planning the next season of Germany’s ‘Next Top Model’, someone suggested “to do something fun”, like perhaps Heidi could “record the theme song for the show.”

The supermodel’s idea of fun was to do a duet with Snoop Dogg, because she "loves him" and is his "biggest fan." Martha Stewart might take issue with the “biggest fan” part, but let them fight it out over Snoop.

The song pays homage to Rod Stewart’s Rod Stewart’s ‘Baby Jane’. Heidi and Snoop were finished with the entire production when she finally was able to make contact with Stewart who was delighted with 'Chai Tea with Heidi'.

The musical result has caused a wave of head-nodding, and the video is WOW! There are so many things AOC wants to say, but we are zip-lipped and very WOKE! LOL. ~ Anne

As for Snoop Dogg’s tight friendship with Martha Stewart, well she told Andy Cohen on a Thursday night interview on ‘Watch What Happens Live’ that she has a new boyfriend, and the details are none of our business.

Snoop and Martha go way back as good friends off screen and working together on many food-related projects. Snoop’s long-time wife since 1997 Shante Broadus became his manager in June 2021.

Martha and Snoop made it into our June 2021 article on biophilic design. Fake Poser Plants vs the Health and Wellness Benefits of Real Plants AOC Eye.

Returning to the long and joyous friendship between Martha and Snoop, I wondered if they ever get out of the kitchen. Googling “Martha+Snoop+green plants”, I said “silly me” over Google’s top returns. They include: Martha Stewart is teaching Snoop Dogg to grow plant-based food and more recently in Jan 2021 Martha Stewart’s New CBD Line Was Inspired by Snoop Dogg. Ah yes, Martha’s latest venture.

Erdem Moralıoğlu Is Photographer of 'Vintage' for Vogue Poland November 2021

Erdem Moralıoğlu Is Photographer of 'Vintage' for Vogue Poland November 2021 AOC Fashion

“It’s gone by extraordinarily quickly,” Erdem Moralıoğlu says about the 15th anniversary of his brand Erdem. “If I close my eyes, I can still imagine being a student at the Royal College putting together my graduate collection,” reflects the designer who has embraced a poetic femininity with deep roots in the strong, often renegade, women of history.

In fact, Erdem’s depth of historical context underpinning the collections — combined with an overarching respect or craftsmanship and artistry — is unmatched in the world of luxury fashion brands. A key element in the recent evolution of the Erdem brand vision is the extraordinary synergy emanating from Ibrahim Kamara, who has styled all of Erdem’s collections and shows since 2019.

New Vogue Poland editor-in-chief, photographer Ina Lekiewicz invited Erdem Moralıoğlu, accompanied by Ib Kamara, to create this visual masterpiece in the November issue. In a new role, the designer is the photographer for the fashion shoot on location at the 17th-century Southside House in London.

Models in ‘Vintage’ include Florence Hutchings, Lily Nova, Ngozi Anene, Sienna King and Wang Han./ Hair by Teiji Utsumi; makeup by Thom Walker

Celestial Grade Synergy

Now the Dazed editor-in-chief, Ib Kamara is extraordinary adept at upending reticence or plain ignorance in how to weave the visual narrative of race, colonialism and fashion together in a modern way. Gender and sexuality are also key undercurrents in Kamara’s work, but the visionary stylist’s brilliance is his emotional and intellectual willingness to take historical realities and weave them in a web of revised history.

The result is an unabashed modern and progressive vision of a better truth, if you think like we do. Others may shatter a mirror or two over the audacity of Erdem Moralıoğlu and Ibrahim Kamara revising colonial history in a shared vision. In another ironic twist, both talents admire strong women and they seek out unique and unconventional personalities as their seasonal muses.

Kamara makes no attempt to shun the often painful facts of history, being a son of the African continent. Rather, he reweaves them into new visual narratives that travel far beyond their original reality. This revised visual statement says “it didn’t have to be this way.”

Erdem Moralıoğlu is the beneficiary of Kamara’s insights and visual interpretations, and one imagines that the synergy between the two super-talents is nothing less than blinding at times. Born in war-torn Sierra Leone, Ibrahim Kamara benefits from Erdem’s insights as the son of a Turkish father and an English mother. Erdem was born in Montreal, Canada and shuttled between Montreal and Birmingham, England.

Ibrahim Kamara says about his relationship with Erdem Moralıoğlu:

“It’s very valuable to meet someone with whom you can perform a creative dance. “

To those of us watching, the tango is breathtaking. ~ Anne

Tech Giant Amazon Rolls Out Amazon Rainforest Carbon Offset Project

Read on: Tech Giant Amazon Rolls Out Amazon Rainforest Carbon Offset Project AOC Sustainability

By Juliana Ennes. First published on Mongabay.com

. First published on Mongabay.com AOC Sustainability

How do you get a small rancher to give up cutting trees for pasture and instead produce high-value and sustainable agricultural products without the requisite skills, money, or access to markets? A new initiative is trying to solve this problem in the Brazilian Amazon.

Called the Agroforestry and Restoration Accelerator, this nature-based carbon removal project aims to help small farmers diversify production and reach new markets, focusing on reforestation and regenerative agroforestry while also advancing economic development. The initiative, announced in early September by U.S-based tech giant Amazon in partnership with nonprofit The Nature Conservancy (TNC), will set up a project in Pará state, home to 9% of the world’s tropical forest area and 40% of Amazon deforestation — the highest rate of forest loss in Brazil.

But this isn’t a philanthropic movement. While Amazon will invest money and provide technical assistance to farmers — and TNC and other nonprofits will provide support on the ground — the tech colossus will receive carbon credits in exchange. Amazon executives and NGO representatives say this project is a win-win for forests, farmers, investors, and even for international carbon credit markets.

“The logic was to generate an alternative source of income so the small farmers wouldn’t have to expand their cattle production through deforestation. This logic, however, had always been philanthropic so far,” said TNC conservation director Rodrigo Spuri Tafner de Moraes in a phone interview.

Before the partnership with Amazon, TNC said it developed a pilot project in Pará over the last eight years named Cacau Floresta (“forest cocoa” in English) to help small farmers start producing sustainable crops of high market value, such as cocoa; Brazil is one of the world’s top cocoa-producing countries, but is still a net importer of the commodity.

According to TNC, this pilot project incentivized small farmers and ranchers to recover degraded or unproductive areas by planting cocoa trees in addition to other native species. This approach created low-carbon, small-scale agricultural production through agroforestry systems that recovered the forest while opening up a new income source for farmers, the nonprofit added.

Farmers peeling cocoa fruit in São Félix do Xingu municipality, Pará state. Image courtesy by © Kevin Arnold/The Nature Conservancy.

Now, through the partnership with Amazon, the investing model aims to generate carbon credits by scaling the project over time, with the possibility of bringing in other investors, the partners say. The goal for the first three years, they say, is to support 3,000 small farmers and restore around 20,000 hectares (nearly 50,000 acres), an area approximately the size of the city of Seattle. Amazon calculates that this would remove up to 10 million metric tons of carbon dioxide from the atmosphere through 2050.

“We believe that there are more than 40,000 farmers who could benefit from a program like this in the region, and that would take a significant scale of investment,” James Mulligan, senior scientist at Amazon, told Mongabay in a phone interview. “We will set up the basic structure of the project and set up the program to scale. In order to scale, it needs additional investments which could come from different sources.”

To succeed, the project includes comprehensive steps, developers say, ranging from a platform to select eligible farmers, to training for the requisite skills, given that deforestation here is driven largely by cattle ranchers who don’t know how to produce cocoa. Smallholders will also have access to high-quality seeds, access to credit lines, logistics to support sales, and entryways to markets, they add.

Read on: Tech Giant Amazon Rolls Out Amazon Rainforest Carbon Offset Project AOC Sustainability

Farmer Deniston Dutra working on his family’s small farm in São Félix do Xingu municipality, Pará state. Image courtesy of © Kevin Arnold/The Nature Conservancy.

Black Cowboys From Inner-City Philly to Small Town Texas Continue to Ride

‘Legends’ by Ron Tarver

Republish via AOC at FeedBurner CC 3.0 License Attribution Required: Daily Fashion Design Culture News

Black Cowboys From Inner-City Philly to Small Town Texas Continue to Ride AOC Blackness

Nick Lehr, Arts + Culture Editor interviews Ron Tarver, Associate Professor of Art, Swarthmore College. First published on The Conversation.

In an interview, which has been edited for length and clarity, Ron Tarver, who is now a professor at Swarthmore College, explains how his photographs of Philadelphia’s urban riding clubs ended up becoming a broader project on the Black cowboy experience in America.

How did these riding clubs operate?

Well, there are a lot of groups. The Fletcher Street Urban Riding Club has sort of become the one that everybody knows, because it’s the one that was featured in [G. Neri’s young adult novel] “Ghetto Cowboy,” and now the movie.

But the one that I spent most my time with was this big one in Brewerytown, the Western Wranglers. They occupied an abandoned building called the White House that had been turned into the stables. It was big, with something like 15 or 20 bays of horses, and it was an operation. They would hold these impromptu parades through the city. Eventually the White House got turned into condos.

A guy called Bumpsey – George Bullock was his real name – owned the White House with his sister. He seemed to sort of organize everything. He was so fit, and he looked like a cowboy, with the big bar mustache. Just an incredibly attractive guy.

I got a call from him last fall, completely out of the blue. I hadn’t talked to him in around 25 years. About a month later, he died of COVID.

Do you know the origins of the clubs?

A lot of [original club members] had grown up in the South and came up to Philadelphia, where there was already an infrastructure [for horses] in place.

Philadelphia used to have a lot of stables because there were food carts, and people would put the fruit and vegetables on the horse-drawn carts and then go through the street to sell their wares. That sort of tradition died out, but the stables were still there.

For those who joined the clubs, it was their life. Older members passed knowledge down to younger ones. I guess you could equate it to skateboarding. I mean, you look at skateboarding – there are older people that skateboard, there are young people that skateboard. It’s a lifestyle and a community, and it’s what they did, day in and day out.

‘The Basketball Game’ by Ron Tarver