Julianne Moore Reflects on Her 'Gig' Work, Lensed by David Roemer for Harper's Bazaar UK

Julianne Moore Reflects on Her 'Gig' Work, Lensed by David Roemer for Harper's Bazaar UK

Actor Julianne Moore is styled by Miranda Almond in her cover story for the February 2024 issue of Harper’s Bazaar UK, lensed by David Roemer [IG].

In 2020, the New York Times named Julianne Moore one of the greatest actors of the 21st century. This Hollywood season Julianne Moore is playing opposite Natalie Portman in the controversial May December.

The film is the fifth time Moore has worked with director Todd Haynes.

Yesterday, we learned that Moore will star with Tilda Swinton in The Room Next Door, first English-language film from Oscar-winning Pedro Almodóvar.

In the world of fashion, Moore has been more devoted to Tom Ford than anyone else. Having just become an ambassador for Bottega Veneta, the actor says  "I’ve known Matthieu [Blazy, the designer] since he was an assistant at Calvin Klein," she says. "He’s a tremendous talent."

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Lina Zhang's Second Skin Style by Joséphine Lochen for Harper's Bazaar France

Lina Zhang's Second Skin Style by Joséphine Lochen for Harper's Bazaar France

Top model Lina Zhang is styled by Rae Boxer in ‘A même la peau’, a second-skin fashion story from top luxury brands like Louis Vuitton and Prada. Photographer Joséphine Løchen [IG] is behind the lens for Harper’s Bazaar France February 2024./ Hair by Ramona Eschbach; makeup by Marie Duhart

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Liza Ostanina in 'Way Home' Lensed by Jumbo Tsui for V Magazine China February 2024

Liza Ostanina in 'Way Home' Lensed by Jumbo Tsui for V Magazine China February 2024

Russian model Liza Ostanina makes a dramatic impression in V Magazine China [IG] February 2024, styled by Evan Feng. Chinese creative director and fashion photographer Jumbo Tsui [IG] delivers the high-voltage, dramatic image mix in ‘Way Home’, with set design by Feifei Li.

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Anne V and Her Goddess-Worship Entourage by Petros Kouiouris for Numéro Netherlands

Anne V and Her Goddess-Worship Entourage by Petros Kouiouris for Numéro Netherlands

Anne Vyalitsyna is known for casting a spell in a crowded room. Lucky for us, New York-based photographer Petros Kouiouris [IG] was in the studio for the latest issue of Numéro Netherlands [IG], with this digital cover of Anne V and her goddess-worship, fashion-story entourage.

Altorrin [IG] styles the fashion story.

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Alessandra Ambrosio Is Pure Va-Va-Voom by Ellen Von Unwerth for Schön! Magazine 04, 2023

Alessandra Ambrosio Is Pure Va-Va-Voom by Ellen Von Unwerth for Schön! Magazine 04, 2023

AOC has shared images of supermodel Alessandra Ambrosio since 2007. Photographer Ellen von Unwerth [IG] manages to cultivate the va-va-voom in every woman — including the former Victoria’s Secret Angel.

Alessandra walks on the wild side —being a blonde bombshell for a day — styled by Mike Adler for Schön! Magazine 04, 2023 [IG]./ Makeup by Vincent Oquendo; hair by Eduardo Bravo

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'Amor e Cia' for Vogue Portugal December 2023 Explores Skin Color Beauty

 'Amor e Cia' for Vogue Portugal December 2023 Explores Skin Color Beauty

Photographer Catharina Pavitschitz [IG] adds poetic beauty to the pages of Vogue Portugal’s [IG] December 2023 ‘Love and Hope’ issue with ‘Amor e Cia’ [Love and Company].

Vogue Portugal has an exemplary history in dealing with deeply-challenging issues of skin color, as it impacts racial identity and global culture images.

As European powers began to expand their empires through colonization, the concept of race as a hierarchical system based on physical attributes — particularly skin color — gained traction. This intellectual position was driven by the need to justify the subjugation and exploitation of indigenous populations and the mass enslavement of Africans across the continent.

The Vatican occupies a position of great prominence at the historical heart of the global slave trade, dating back to the 15th century when Pope Nicholas V issued the papal bull Dum Diversas in 1452, granting the Portuguese the right to enslave non-Christian peoples.

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