Superstar Taylor Swift welcomes a new decade, wearing archive Chanel tweed for the January 2020 cover of British Vogue, lensed by Craig McDean. The jacket from Chanel’s Métiers d’art Paris-New York 2005/2006 collection expresses a keen desire from editor-in-chief Edward Enninful put sustainability front and center in fashion dialogue. Simply stated, we cannot add another decade of limitless, shop-until-you-drop consumption on Mother Earth’s wounded self.
Taylor Swift is fresh off winning six awards at last Sunday’s AMAs, bringing her total to 29. Swift won both artist of the year and artist of the decade.
“Buying better and buying less is what I believe in: investing in clothes that will last a lifetime, pieces that can be passed down from generation to generation. Fashion shouldn’t feel disposable: the best clothes can be worn time and time again and have the quality of both design and craftsmanship to ensure their staying power – that’s how I’ve always dressed, it’s just that, because I only wear black, you can never tell. In that spirit, it was important to me to choose a classic item for Taylor, one that is everlasting – and that’s why I used a Chanel jacket from the Métiers d’art 2005/2006 collection. It’s the ultimate sign of luxury, it has never gone out of fashion, and it never will.”
Taylor Swift is fresh off winning six awards at last Sunday’s AMAs, bringing her total to 29. Swift won both artist of the year and artist of the decade.
In her British Vogue interview, Taylor joins musical theater kindpin Andrew Lloyd Weber, to discuss their collaboration on the movie adaptation of ‘Cats’ Webber’s 1981 extravaganza that set records in London’s West End and also on Broadway, running for a combined shy of 40 years. The duo has created a new song ‘Beautiful Ghosts’, with lyrics written by Taylor the afternoon she first heard Webber’s “hauntingly beautiful melody”.
Returning to fashion and Swift’s Craig McDean photo shoot ‘Waste Not’, contributing fashion director Kate Phelan pairs vintage pieces dating back 35 years with looks from the autumn/winter 2019 and Resort 2020 collections and specially commissioned garments crafted from deadstock (merchandise never sold to or worn by consumers) . Katharine Hamnett’s much-publicised “Pershing” T-shirt is styled alongside inspiring pieces from Amsterdam-based designer Duran Lantink, who upcycles items from resale sites into new exquisite garments. “We are looking at the longevity of what designers make and sell,” Phelan explains of her process. “They don’t have to start from scratch every time they make a collection. I still have clothes from years ago that I mix in with more recent looks – an old Chanel jacket that can stand the test of time, say. Things you never get bored of.”
