MacKenzie Scott's HBCU Giving Contrasts Starkly With Historical White Funders

MacKenzie Scott's HBCU Giving Contrasts Starkly With Historical White Funders AOC Living

Novelist and billionaire philanthropist MacKenzie Scott has so far given at least US$560 million to 23 historically Black colleges and universities. These donations are part of a bid she announced in 2019 to quickly dedicate most of her fortune to charity.

Scott’s gifts, including the $6 million she donated to Tougaloo College in Mississippi and the $45 million she gave North Carolina A&T University, vary in size but nearly all of the colleges and universities describe this funding as “historic.” For many, it was the largest single donation they had ever received from an individual donor.

Scott, previously married to Amazon founder Jeff Bezos, is not making a splash just because of the size of her donations. She has an unusually unrestrictive get-out-of-the-way approach.

“I gave each a contribution and encouraged them to spend it on whatever they believe best serves their efforts,” Scott wrote in a July 2020 blog post.

She sees the standard requirements that universities and other organizations report to funders on their progress as burdensome distractions. Instead of negotiating detailed agreements before making a gift, she works with a team of advisers to stealthily vet a wide array of nonprofits, colleges and universities from afar before surprising them with her unprecedented multimillion-dollar gifts that come without any strings attached.

Scott is also supporting students of color through donations to the United Negro College Fund and the Thurgood Marshall College Fund, which give HBCU students scholarships, and by supporting many other colleges and universities that enroll large numbers of minority students.

Her approach sharply contrasts with how many wealthy white donors have interacted with Black-serving nonprofits, including HBCUs, in the past. As a historian of philanthropy, I have studied the paternalism of white funders, including those who helped many of these schools open their doors.

HBCU Origins

The first HBCUs were founded in Northern states before the Civil War, including Cheyney and Lincoln universities in Pennsylvania and Wilberforce University in Ohio. After the war, most HBCUs were established in Southern states. These institutions were lifelines for Black Americans seeking higher education during decades of Jim Crow segregation that locked them out of other colleges and universities. (Disclosure: I earned my bachelor’s degree at Lincoln University.)

Although many white philanthropists made large gifts to these schools, their support was fraught with prejudice. Initially, white funders pushed for HBCUs to emphasize vocational training, then called “industrial education,” such as blacksmithing, printing and shoemaking, over more intellectual pursuits.

White philanthropists including Andrew Carnegie and John D. Rockefeller had poured millions from their fortunes into the proliferation of Black industrial schools by the early 20th century. The HBCUs Hampton University in Virginia and Tuskegee University in Alabama, which received donations from Scott, were leading models of industrial education for decades.

Black students during a class on the assembly and repair of telephones at Hampton Institute (1899). US Library of Congress.

The vocational curriculum at these schools was promoted as preparing Black students to be skilled laborers and academic teachers. During this era, however, most graduates worked as unskilled laborers or vocational teachers.

White Southerners overwhelmingly approved of this arrangement, which left many HBCU grads on the bottom rung of society rather than making them educated citizens. Emphasizing industrial education at HBCUs preserved the superior economic status of white Americans and the racist system of segregation. But African Americans’ educational aspirations required much more.

W.E.B. Du Bois, a prominent Black intellectual, was a leading critic of the funding HBCUs got from wealthy whites. He said: “Education is not and should not be a private philanthropy; it is a public service and whenever it merely becomes a gift of the rich it is in danger.”

Read on: MacKenzie Scott's HBCU Giving Contrasts Starkly With Historical White Funders AOC Blackness

Louis Vuitton Men's FW 2021 by Tim Walker Busts Power People Archetypes

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Republish via AOC at FeedBurner CC 3.0 License Attribution Required: Daily Fashion Design Culture News

Louis Vuitton Men's FW 2021 by Tim Walker Busts Power People Archetypes AOC Fashion

Whatever your opinion of Louis Vuitton Men’s artistic director Virgil Abloh, he is moving into his own zone of excellence — at least in the eyes of Bernard Arnault and the LVMH family.

Given the realities of business life, AOC reminds the naysayers of this simple reality check: “That’s all that counts.” Not only is LVMH thrilled with Virgil Abloh’s artistic and financial performance at Louis Vuitton Mens, but they are dramatically expanding his role and influence within the entire LVMH family of brands.

The month of July was intense for the Rockford, Illinois-born Abloh who is an artist, architect, entrepreneur, designer and DJ who — in the words of NYTimes woman-in-the-know Vanessa Friedman — is on track to “become the most powerful Black executive at the most powerful luxury goods group in the world.”

It’s true that Virgil Abloh is about “rewriting the rules”, and we love that this reality permeates most of what the hyper-creative visionary does with his time each day.

For the Louis Vuitton Men’s Fall 2021 Campaign, Abloh enlists his trusted creative partner, fashion photographer Tim Walker to play a fashion game of chess.

By taking archetypes such as the writer, the artist, the drifter, the salesman, the hotelier, the gallery owner, the architect, or the student, the collection explores the dress codes that inform our predetermined perceptions of these familiar characters. Virgil Abloh imbues the grammar of these codes with different values and employs fashion as a tool to change those assumptions. Throughout the collection, garments, accessories, motifs and techniques play on themes of illusion, replicating the familiar through the deceptive lenses of trompe l’oeil and filtrage. Leather goods are interpreted through the classic shapes of Louis Vuitton and enriched with added wording, shiny silver, or tuffetage embroidery.” – from Louis Vuitton

Related: LVMH Buys 50% of Jay-Z's Champagne Brand As Bernard Arnault Nods To Black Culture's Financial Influence AOC Living

Savage X Fenty, Valued at $1 Billion, Is Poised To Rival Victoria's Secret and Win AOC Living (Note that while LVMH’s Fenty collab with Rihanna is on hold, the Arnaud family is a major backer in Savage X Fenty through L Catterton.)

Cara Taylor As Joan of Arc by Yelena Yemchuk for Vogue China August 2021

Cara Taylor As Joan of Arc by Yelena Yemchuk for Vogue China August 2021

Model Cara Taylor is styled by Daniela Paudice in ‘Joan D’Arc’, lensed by Yelena Yemchuk [IG] for Vogue China August 2021.

Joan of Arc was burned at the stake on May 30, 1431 at age 19, fighting on behalf of France. The Hundred Years’ War pitted France and England against each other as mortal enemies from 1337 to 1453.

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Luz Pavon by Daniella Midenge Delivers Pedigree Gem Glamour to Vogue Mexico

Luz Pavon by Daniella Midenge Delivers Pedigree Gem Glamour to Vogue Mexico AOC Fashion

Mexican fashion and beauty model Luz Pavon is drenched in luxury jewelry from Cartier, Dior Jewelry, Harry Winston and more, styled by Aryeh Lappin. Daniella Midenge is behind the lens, creating high-voltage, rich-in-attitude images of Pavon for Vogue Mexico August 2021. / Makeup by Nicolás Beretteaga; hair by Gonn Kinoshita

Rafael Pavarotti Captures Dior Men's Pre-Fall 2021 Tribute to Kenny Scharf

Rafael Pavarotti Captures Dior Men's Pre-Fall 2021 Tribute to Kenny Scharf

Dior Men’s designer Kim Jones paid tribute to American artist and collaborator Kenny Scharf in his pre-fall 2021 collection. The twist, of course, in the Dior Men’s fall closet is bringing Scharf’s artwork to life with Chinese embroidery. The bold visual seduction of the clothes combined with ancient artisan techniques breathes a vibrant vitality and artistry into Rafael Pavarotti’s [IG] campaign images.

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Saskia de Brauw Poses at LongHouse Reserve for Ulla Johnson Resort 2022

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Saskia de Brauw Poses at LongHouse Reserve for Ulla Johnson Resort 2022 AOC Fashion

Top model Saskia de Brauw poses for Ulla Johnson’s resort 2022 collection at LongHouse Reserve in East Hampton, a sculpture garden conceived by the American textile designer Jack Lenor Larsen. The nature oasis comes with a Buckminster Fuller geodesic dome and a giant chess set by Yoko Ono, perfect backdrops for Emma Summerton’s sophisticated lookbook images.

Louise, Mica, Rianne, Vivienne As Chanel Snow Bunnies in Fall 2021 Campaign

Louise, Mica, Rianne, Vivienne As Chanel Snow Bunnies in Fall 2021 Campaign

Luxury brand Chanel feels a chill in the air and the allure of winter ski resorts in its well-received Fall Winter 2021.22 ad campaign. Star power behind the campaign includes Louise De Chevigny, Mica Argañaraz, Rianne Van Rompaey and Vivienne Rohner lensed by Inez van Lamsweerde and Vinoodh Matadin [IG].

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Alessandra Ambrosio in Black Sensuality by Emma Summerton for Vogue Mexico and Latin America

Alessandra Ambrosio in Black Sensuality by Emma Summerton for Vogue Mexico and Latin America AOC Fashion

Supermodel Alessandra Ambrosio is styled by Valentina Collado in black beauty sensuality from Alaïa, Alberta Ferretti, Bottega Veneta, Cartier, Etro, Isabel Marant, Saint Laurent by Anthony Vaccarello and more. Photographer Emma Summerton [IG] captures ‘En Negro’ for Vogue Mexico and Latin America August 2021./ Hair by Luke Chamberlain; makeup by Benjamin Puckey

Mica Argañaraz Purrs in Vogue Paris As La Féline, Lensed by Mikael Jansson

Mica Argañaraz Purrs in Vogue Paris As La Féline, Lensed by Mikael Jansson

Mica Argañaraz is on the prowl (sorry; can’t resist) in this total immersion into the wild kingdom, styled by Emmanuelle Alt. AOC never met an animal print we didn’t like. So tell us these divine animal prints are sustainable? Nope.

Mikael Jansson captures Mica’s fierce Argentinian beauty, and the world is better for La Féline. Send in more cats please.

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'Secular Girl' by Victoire Simonney and Anna de Rijk Makes Real-Life Fashion Point

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'Secular Girl' by Victoire Simonney and Anna de Rijk Makes Real-Life Fashion Point AOC Fashion

Model Anna de Rijk appears as a ‘Secular Girl’, reminding AOC of fashion stories from a decade ago — stories with an undercurrent and something to say beyond “buy me”.

If AOC could have one wish around fashion media, it would be for more ideas to be expressed in fashion pages, moving them beyond selling stuff, with no other purpose. I frankly don’t care if a high-end flower delivery services sponsors fashion stories. There’s no need to dumb everything down to a box of Fruit Loops.

The 2010 forward fall-off of “statement” fashion stories was dramatic to watch. Granted, AOC scans published work with a very critical eyes. Yet images as simple as these — photographer and stylist Victoire Simonney’s ‘Secular Girl’ is — caught our eye, prompting a visit to Sixteen Journal, where we read: “Victoire Simonney studies womanhood and identity in ‘Secular Girl’ story. Then on to Simonney’s IG.

As a deeply-political women’s rights and racial justice activist, I worry that the right-wing is winning — based on new laws in red states. As we speak, the Georgia state government is moving to take over voting in Fulton County in Atlanta — home to the largest Black population in the state.

America’s right-wing is trying to destroy confidence in voting in the US, while it pursue its authoritarian agenda. With its commitment to storytelling generally, Sixteen Journal [IG] becomes a relevant chef in the creative discussion.

Mona Tougaard Soaks Up Summer Heat by Alasdair McLellan for Vogue Paris August 2021


Mona Tougaard Soaps Up Summer Heat by Alasdair McLellan for Vogue Paris August 2021 AOC Fashion

Top model Mona Tougaard is styled by Aleksandra Woroniecka in ‘Premier Eté’, lensed by Alasdair McLellan for Vogue Paris August 2021./ Hair by Damien Boissinot; makeup by Linsey Alexander

Athleisure Soars As Wellness Not Wealth Takes Center Stage Even in Luxury

Athleisure Soars As Wellness Not Wealth Takes Center Stage Even in Luxury

Tennis champ Naomi Osaka had already left the French Open, saying she needed time to work on her mental health. Osaka assured the world that she would be ready for the Tokyo Olympics and her not-yet-announced great honor of lighting the Olympic Flame.

Back at WSJ Magazine Alexander Fisher styled models Aya Jones and Somali Findlay in retro-style jackets from Celine by Hedi Slimane, Canali and Bode, coupled with boldly-hued hooded pieces from Louis Vuitton and Lacoste, which can be thrown over classic Ralph Lauren polos or easy shirts from Hermès or Emporio Armani.

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American Ballet Theatre Dancers by AB+DM for InStyle July 2021

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American Ballet Theatre Dancers by AB+DM for InStyle July 2021 AOC Fashion

The first ‘to do’ in reading ‘Ballet Is Back, Baby’ a fashion story shot by AB+DM for Instyle US and published early June online for the July issue, is to verify the facts. Julia von Boehm styles dancers from American Ballet Theatre in a heady mix of Alexander McQueen, Commando, Dolce & Gabbana, Fendi, Givenchy, JW Anderson, Khaite, Mônot, Spanx,Thom Brown and more./ Hair by Shin Arima; makeup by Frankie Boyd

The Dancers include Isabella Boylston, ABT Principal Dancer; James Whiteside, ABT Principal Dancer; ABT Corp dancers: Anabel Katsnelson, Betsy McBride, Emily Hayes, João Menegussi, Melvin Lawovi and Yoon Jung Seo, ABT Studio Corps.

“Verifying the facts” refers to a bus tour select American Ballet Theatre dancers were scheduled to make across America, as they faced another cancelled official season in 2021.

In fact, the #ABTAcrossAmerica US tour did happen — at outside venues and not the predictable ones for a ballet tour. These shots on ABT’s IG — not in geographical order — show the dancers bringing joy to lawn-lovers in Minneapolis, MN; Middleburg, VA; Chicago, MI; Iowa City, IA; Lincoln NE. Other stops included St. Louis, Mo and Charleston, SC. The dancers made it back to New York City for a special closing performance last week, July 21.

Emma Corrin by Steven Meisel Fronts Miu Miu Fall 2021 Campaign 'A Brave Heart'

Emma Corrin by Steven Meisel Fronts Miu Miu Fall 2021 Campaign 'A Brave Heart'

Actor and Golden Globe winner Emma Corrin, now famous for playing Diana, Princess of Wales in the fourth season of Netflix series ‘The Crown’ fronts Miu Miu’s Fall 2021 campaign ‘A Brave Heart’.

Steven Meisel [IG] shoots the campaign as a series of quietly confrontational, honest images in which Corrin — representing the female collective — shares a series of quiet questions, silent communication, everyday anecdotes and recollections.

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Amanda Gorman by Kennedi Carter in Porter Edit Talks Connecting Fashion and Activism

Amanda Gorman by Kennedi Carter in Porter Edit Talks Connecting Fashion and Activism

AOC feels like we’re looking at tomorrow’s creative Black titans in Porter Edit’s July 26 issue. marriage of celestial light. Biden-Harris 2021 inauguration Day poet Amanda Gorman is lensed by photographer Kennedi Carter.

Carter shot Simone Biles for Glamour Magazine’s June cover story, and now she roars in with Amanda Gorman in tow. Not too shabby Ms. Carter. It makes AOC feel really, really great about all this Black Girl Magic.

In her Porter Edit interview with Kadish Morris, Gordan speaks about her upcoming honor as co-chair of the Met Gala, Monday September 13, sharing duties with Billie Eilish, Naomi Osaka and Timothée Chalamet.

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Kendall Jenner in 'City of Angels' by Zoey Grossman for ELLE US August 2021

Kendall Jenner in 'City of Angels' by Zoey Grossman for ELLE US August 2021

Kendall Jenner sends a fashion trend report from LA, styled by Alex White in easy pieces from Alessandro Dell’Acqua, Balenciaga, Celine by Hedi Slimane, Dior, Etro, Fendi, Gucci, Moschino Couture, Prada and more.

Photographer Zoey Grossman captures ‘City of Angels’ for ELLE US August 2021./ Makeup by Holly Silius; hair by Panos Papandrianos

An Injured Simone Biles Pulls Out of Team USA at Tokyo Olympics

Doug Mills/The New York Times

USA Gymnastics team powerhouse Simone Biles has pulled out of the team competition at the Tokyo Olympics. Biles bailed out of her Yurchenko vault with 2 1/2 twists, downsizing the difficulty to 1 1/2 twists and then stumbling out of the landing Tuesday evening.

Biles left the competition floor with a team trainer, while coach Cecile Landi, gathered the team. Biles returned to the floor, rejoining her teammates, hugging them before watching them perform their routines from the sideline.

Team USA will compete for their their consecutive Olympics gold medal without Biles. Follow all the Olympic competition from the New York Times.