The Jefferson School African American Heritage Center is a cultural arts and history center whose mission is to honor and preserve the rich heritage and legacy of the African-American community of Charlottesville-Albemarle, Virginia. Additionally, the heritage center promotes a greater appreciation for and understanding of the contributions of African Americans and peoples of the Diaspora locally in Charlottesville, across America and globally as well.
In a modern-day Confederate statue cremation, the controversial statue of Confederate general Robert E. Lee will be donated to the Jefferson School African American Heritage Center. Plans are for the statue, which lived at the center of the 2017 Unite the Right rally in Charlottesville, to be melted down into materials for a new piece of public art.
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An Indiegogo campaign page for the project said that its leaders wanted to “transform a national symbol of white supremacy into a new work of art that will reflect racial justice and inclusion.”
A map [middle image’ highlights the correlation between lynchings and Confederate monuments in America. The darker, redder colors indicate higher numbers of lynching victims; with each dot representing a Confederate monument (courtesy of the University of Virginia)
Large numbers of white southerners have long argued that Confederate monuments exist exclusively as symbols of southern pride and a proud history of rebellion against America’s federal government.
Led by United Daughters of the Confederacy, supporters of Confederate monuments refuse to acknowledge that there is any psychological damage to nonwhite people living their daily lives in the shadows of these relics to the days of slavery.
Former slave families should also celebrate the honor of the Old South, say white southerners while waving their Confederate flags in their faces. If people of color are bothered by these towering monuments of famed Confederate generals, they should praise God’s creation of an ideal society and way of life. Otherwise, people of color can hop the first boat back to Africa. Easy peasy.
A new study by researchers at the University of Virginia in Charlottesville challenges the noble premise of Confederate monuments.
Led by Kyshia Henderson of UVA’s Social Psychology Program, who worked with data scientist Samuel Powers and professors Sophie Trawalter, Michele Claibourn, and Jazmin Brown-Iannuzzi at the university’s Batten School of Leadership and Public Policy, the researchers documented a significant correlation between the numbers of Confederate monuments in an area and the number of documented lynchings from 1832 to 1950.
Published by the National Academy of Sciences, the researchers do not assert that the existence of Confederate monuments causes or provokes lynching. Their private beliefs — and those of the majority of researchers working in this area of study — do believe that Confederate statues are symbols of hate and also dominant power. But this study only concludes that there is a positive correlation between the two data sets: lynchings by county and Confederate statues by country.
“We can’t pinpoint exactly the cause and effect. But the association is clearly there,” Trawalter wrote. “At a minimum, the data suggests that localities with attitudes and intentions that led to lynchings also had attitudes and intentions associated with the construction of Confederate memorials.”
The researchers referenced another study associated with dedication speeches for Confederate memorials, finding that nearly half of the 30 dedication speeches reviewed involved “explicit racist language,” including phrases like “love of race” and “your own race and blood.”
A powerful and recently rediscovered film made during the 1965 Selma to Montgomery march for voting rights. Stefan Sharff’s intimate documentary reflects his youthful work in the montage style under the great Russian filmmaker Sergei Eisenstein. The film features moving spirituals. Marchers included Rev. Dr. Martin Luther King Jr. and his wife Coretta Scott King.
2015 Oscar Winning Best Song ‘Glory’ From Best Picture Nominated ‘Selma’
History of Selma to Montgomery Marches 1965
The Selma-to-Montgomery March for voting rights ended three weeks—and three events—that represented the political and emotional peak of the modern civil rights movement. On “Bloody Sunday,” March 7, 1965, some 600 civil rights marchers headed east out of Selma on U.S. Route 80. They got only as far as the Edmund Pettus Bridge six blocks away, where state and local lawmen attacked them with billy clubs and tear gas and drove them back into Selma. Two days later on March 9, Martin Luther King, Jr., led a “symbolic” march to the bridge. Then civil rights leaders sought court protection for a third, full-scale march from Selma to the state capitol in Montgomery.
Federal District Court Judge Frank M. Johnson, Jr.,weighed the right of mobility against the right to march and ruled in favor of the demonstrators. “The law is clear that the right to petition one’s government for the redress of grievances may be exercised in large groups…,” said Judge Johnson, “and these rights may be exercised by marching, even along public highways.” On Sunday, March 21, about 3,200 marchers set out for Montgomery, walking 12 miles a day and sleeping in fields. By the time they reached the capitol on Thursday, March 25, they were 25,000-strong. Less than five months after the last of the three marches, President Lyndon Johnson signed the Voting Rights Act of 1965—the best possible redress of grievances. Source: US Natl Park Service
President Barack Obama’s Address In Selma March 7, 2015
Photos March, 1965
President Barack Obama embraces Congressman John Lewis in Selma, March 7, 2015
March 7, 1965 march aborted at Edmund Pettus Bridge.It is a rare honor in this life to follow one of your heroes. And John Lewis is one of my heroes.
Now, I have to imagine that when a younger John Lewis woke up that morning fifty years ago and made his way to Brown Chapel, heroics were not on his mind. A day like this was not on his mind. Young folks with bedrolls and backpacks were milling about. Veterans of the movement trained newcomers in the tactics of non-violence; the right way to protect yourself when attacked. A doctor described what tear gas does to the body, while marchers scribbled down instructions for contacting their loved ones. The air was thick with doubt, anticipation, and fear. They comforted themselves with the final verse of the final hymn they sung:
No matter what may be the test, God will take care of you;
Lean, weary one, upon His breast, God will take care of you.
Then, his knapsack stocked with an apple, a toothbrush, a book on government – all you need for a night behind bars – John Lewis led them out of the church on a mission to change America.
There are places, and moments in America where this nation’s destiny has been decided. Many are sites of war – Concord and Lexington, Appomattox and Gettysburg. Others are sites that symbolize the daring of America’s character – Independence Hall and Seneca Falls, Kitty Hawk and Cape Canaveral.
Selma is such a place.
Congressman John Lewis lead the first Selma, March and was severely beaten in the head and body on March 7, 2965And because of men and women like John Lewis, Joseph Lowery, Hosea Williams, Amelia Boynton, Diane Nash, Ralph Abernathy, C.T. Vivian, Andrew Young, Fred Shuttlesworth, Dr. King, and so many more, the idea of a just America, a fair America, an inclusive America, a generous America – that idea ultimately triumphed.
As is true across the landscape of American history, we cannot examine this moment in isolation. The march on Selma was part of a broader campaign that spanned generations; the leaders that day part of a long line of heroes.
We gather here to celebrate them. We gather here to honor the courage of ordinary Americans willing to endure billy clubs and the chastening rod; tear gas and the trampling hoof; men and women who despite the gush of blood and splintered bone would stay true to their North Star and keep marching toward justice.
Anne of Carversville
Anne of Carversile is an influential fashion, design and culture news resource for creatives, brands and lifestye businesses since 2007.
