Annemarieke van Drimmelen Flashes Naomi Campbell for WSJ Magazine October 2019
Supermodel Naomi Campbell is styled by Alex White in ‘The Naomi Mystique’, lensed by Annemarieke van Drimmelen for WSJ Magazine October 2019./ Hair by Lorenzo Barcella; makeup by Angloma
“Naomi sweeps you into her world—one minute you are in London, next minute you are in India, next minute you could be in Africa. It’s a whirlwind,” says another member of that group chat, Edward Enninful, the editor in chief of British Vogue, who met her when he was a 19-year-old fashion director for i-D magazine. The day of their first shoot, she invited him to hop on a private jet to Dublin with her. Enninful, who named Campbell a Vogue contributing editor in 2017, describes her as having the mystique of an old Hollywood star such as Greta Garbo or Marlene Dietrich. “Naomi came up at a time when models had to really learn their craft, almost like a studio system,” he says. “Apart from being incredibly ambitious, she is incredibly focused. Naomi loves being a model. When you shoot her, you realize there are only a handful of models who can give what she can. It’s just this magic.”
Read the interview at WSJ.com
Images by Andrew Meredith
Swiss architect Peter Zumthor and the late French-born artist Louise Bourgeoise collaborated in the hauntingly beautiful and poetic Steilneset Memorial in Vardø, Norway, an arresting memorial to 91 people, 77 women and 14 men, who were burned at the stake here in the 17th century for the crime of witchcraft.
Sturla J. Stalsett, general secretary of the Vardø Church City Mission, pointed out during the opening ceremonies presided over by Her Majesty Queen Sonja of Norway, that the memorial is meant to remind us of the ongoing danger of collectively creating scapegoats. If historical circumstances seem peculiar now, the intent behind the work addresses larger moral claims.
I highlight descriptions of the memorial, drafted for Architectural Record: