Tony Schwartz helped create the myth of Donald Trump as the ghostwriter behind 'The Art of the Deal'. Schwartz was no ordinary ghostwriter. He made quite a business deal himself with Trump, one negotiated by Sy Newhouse. Now Schwartz has grave concerns about the mythology he helped create around Trump. This is one of the most damning articles about Trump I've read. ~ Anne
"Schwartz had ghostwritten Trump’s 1987 breakthrough memoir, earning a joint byline on the cover, half of the book’s five-hundred-thousand-dollar advance, and half of the royalties. The book was a phenomenal success, spending forty-eight weeks on the Times best-seller list, thirteen of them at No. 1. More than a million copies have been bought, generating several million dollars in royalties. The book expanded Trump’s renown far beyond New York City, making him an emblem of the successful tycoon. Edward Kosner, the former editor and publisher of New York, where Schwartz worked as a writer at the time, says, “Tony created Trump. He’s Dr. Frankenstein.”
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“I put lipstick on a pig,” he said. “I feel a deep sense of remorse that I contributed to presenting Trump in a way that brought him wider attention and made him more appealing than he is.” He went on, “I genuinely believe that if Trump wins and gets the nuclear codes there is an excellent possibility it will lead to the end of civilization.”
If he were writing “The Art of the Deal” today, Schwartz said, it would be a very different book with a very different title. Asked what he would call it, he answered, “The Sociopath.”
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. . . Schwartz believes that Trump’s short attention span has left him with “a stunning level of superficial knowledge and plain ignorance.” He said, “That’s why he so prefers TV as his first news source—information comes in easily digestible sound bites.” He added, “I seriously doubt that Trump has ever read a book straight through in his adult life.” During the eighteen months that he observed Trump, Schwartz said, he never saw a book on Trump’s desk, or elsewhere in his office, or in his apartment.
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This year, Schwartz has heard some argue that there must be a more thoughtful and nuanced version of Donald Trump that he is keeping in reserve for after the campaign. “There isn’t,” Schwartz insists. “There is no private Trump.” This is not a matter of hindsight. While working on “The Art of the Deal,” Schwartz kept a journal in which he expressed his amazement at Trump’s personality, writing that Trump seemed driven entirely by a need for public attention. “All he is is ‘stomp, stomp, stomp’—recognition from outside, bigger, more, a whole series of things that go nowhere in particular,” he observed, on October 21, 1986. But, as he noted in the journal a few days later, “the book will be far more successful if Trump is a sympathetic character—even weirdly sympathetic—than if he is just hateful or, worse yet, a one-dimensional blowhard.”
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In his journal, Schwartz wrote, “Trump stands for many of the things I abhor: his willingness to run over people, the gaudy, tacky, gigantic obsessions, the absolute lack of interest in anything beyond power and money.” Looking back at the text now, Schwartz says, “I created a character far more winning than Trump actually is.” The first line of the book is an example. “I don’t do it for the money,” Trump declares. “I’ve got enough, much more than I’ll ever need. I do it to do it. Deals are my art form. Other people paint beautifully on canvas or write wonderful poetry. I like making deals, preferably big deals. That’s how I get my kicks.” Schwartz now laughs at this depiction of Trump as a devoted artisan. “Of course he’s in it for the money,” he said. “One of the most deep and basic needs he has is to prove that ‘I’m richer than you.’ ” As for the idea that making deals is a form of poetry, Schwartz says, “He was incapable of saying something like that—it wouldn’t even be in his vocabulary.” He saw Trump as driven not by a pure love of dealmaking but by an insatiable hunger for “money, praise, and celebrity.” Often, after spending the day with Trump, and watching him pile one hugely expensive project atop the next, like a circus performer spinning plates, Schwartz would go home and tell his wife, “He’s a living black hole!”'
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Bill Maher Unloads
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Lastly, what are your thoughts on Bernie’s very reluctant endorsement of Hillary Clinton, and your Sanders campaign obit?
[Laughs] It was a little strained at first. I think what Bernie thought is, well, now that James Comey is not going to send her up the river, it’s about time to fold the tents, and they are united against a common enemy: osteoporosis—no, Donald Trump. There was a bit of a weird buddy cop thing going of, “Well, he’s a socialist and she gives speeches for Goldman Sachs, and together they’re going to bring down this lunatic!” The question now is, will the kids go along? Will the Bernie Bros go along? I saw a lot of stuff on the internet where they felt betrayed by Bernie himself. They think everybody in the world has betrayed Bernie, and now they think Bernie has betrayed Bernie. Hopefully they will come on board and realize that there are only two choices on the menu, and nobody wants to eat poisoned vomit. I saw one Bernie supporter say, “Convince me to vote without using Trump in a sentence.” Well, Trump is in the sentence, you fuckin’ baby! Convince you to vote? I don’t have to convince you to vote! It’s your life; I’m out of college. My college bills are paid off and Trump’s going to cut my taxes, so I’m not going to convince you to vote. This country is more in your future than mine, so two choices, pal. America: land of the free. Deal with it.
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Donald Trump's favorability ratings among Latino registered voters is hitting historic lows. In a situation that doesn't get enough media coverage, George W Bush received about 40% of the Latino vote in 2004. John McCain won 31% of their support in 2008 and even Mitt Romney won 27% of Latinos in 2012.
In a new NBC News/Wall Street Journal/Telemundo poll of registered voters, Hillary Clinton has the support of 76% of Latino voters, with only 14% saying they support Trump.
A majority — 63% — of Latinos describe themselves as "pessimistic and worried" about Trump's ability to serve as president, while an additional 20 % say they are "uncertain and wondering" about his capacity to do the job.
Clinton's favorability rating with Latinos is 64% positive, 25% negative. The poll was conducted in English and Spanish with half of respondents saying they speak English at home.
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