Cindy Crawford Honors Gianni Versace, A True Lover Of Lady Boss, Smart Sensuality Women

Cindy Crawford Honors Gianni Versace, A True Lover Of Lady Boss, Smart Sensuality Women

Supermodel Cindy Crawford is styled by Karla Welch in 'Versace, Versace, Versace', lensed by Carter Smith for InStyle Magazine March 2018.

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It has long been my contention that the mostly male designers, coupled with women editors, male photographers and male-dominated business interests felt a strong need to metaphorically cut the original supermodels down to size. These women were size 4-6 US Amazonian women who were powerful, sexual and exuded a confidence that the catwalk had never seen. At the time 25% of notoriously overweight American women could achieve a supermodel body with exercise and healthy eating. In recent years, the percentage is 6. 

Twenty-five years after the second wave of feminism culminated in a fiery display of supermodel prowess  -- accused photographer David Bellemere, who seemed to agree with white nationalist Steve Bannon that feminism will destroy 10,000 years of civilization -- broke new ground last week, arguing 50-years later that feminism threatens to pull Western civilization back to the Dark Ages. I do not exaggerate.  

Interviewed in 1990 about the ways in which she and a few other models were calling the shots and changing the game, Linda Evangelista made her infamous, regrettable, sarcastic waking up for 10,000 dollar-bills comment. Still, the spirit of her comment was true. The supers didn't get bossed around much. I doubt that stylists were ever accused of ripping off panties without permission with that 90's goddesses posse. 

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Gianni Versace celebrated strong, Amazonian women whose obvious sensuality was part of their glorious DNA. He was not afraid of female power and influence. In this era of #MeToo, the question of why the fashion industry supported a takedown of the original supermodels is worth considering again. The main argument is that the pendulum of change swung in the direction of the equally wonderful Kate Moss and heroin chic. Change is good, the industry argues. End of the conversation.

It's not at all clear that the fashion industry is as on fire with #MeToo as Hollywood is. How many fashion industry people agree with David Bellemere that #MeToo is taking our celestial, pinnacle-reaching, male-dominated civilization back to the Dark Ages? Exactly why the fashion industry is so far behind Hollywood in embracing #MeToo issues is a question worth asking. What is the industry's relationship with powerful women, whether they are models or brand managers? ~ Anne

George Michaels' 'Freedom': Christy, Cindy, Linda, Naomi and Tatjana Reflect On Making The Video

Christy, Linda, Naomi, Cindy & Tatjana by Peter Lindbergh for Vogue Australia As 'Supernova'

Last year celebrated the 25th anniversary of George Michael's 1990 music video 'Freedom!', an anthem for women, LGBTQ people, women and men of color, and hundreds of kindred spirits everywhere who were trying to establish their own identities against the patriarchal, monotheistic, global norms confining us in their medicine-bottle vision of appropriate behaviors and self-identiites. 

George Michaels threw a sledge hammer into that power structure metaphorically -- if not actually -- with his 'Freedom' video and lyrics. As The Republican War on Women and many more -- based on its Godly, male-centric vision for America -- rolls into Washington, led by their new God Donald Trump --  we revisit 'Freedom' a day after progressive spirits are crushed by the death of George Michaels at 53.  In a year when we've lost some of our best -- Bowie, and Prince come to mind, and now Michaels, our loss isn't only about talent but rather critical messaging and philosophy. 

Last year, Harper's Bazaar asked the fabulous 5 -- Naomi Campbell, Christy Turlington, Linda Evangelista, Cindy Crawford and Tatjana Patitz -- who made the 'Freedom' video to reflect back on that day. 

Naomi Campbell

"I came to the set on the first day they were shooting. On my god, it was crazy! It was during the fashion collections, so I came straight from Paris, and I'd done 4 or 5 shows the day before and we finished at 2 o'clock in the morning. They didn't have the Eurostar then, so I took the 6 o'clock train to London and then went to the airport. I didn't sleep -- I went from the plane to the shower to the set. I was up all night working to work all night again! But it was great. I love George Michael, and I love all the girls who were in it, and the director, David Fincher, is a great filmmaker."

Tatjana Patitz

"All the models and I knew George Michael -- I think I had done a photo shoot with him at some point before. His manager contacted my agent to see if I could do the video. George wasn't in it -- he wasn't even on the set when I was there. David Fincher directed it, which was so exciting even then because he had already done one of Madonna's. 

Linda Evangelista

"25 years later, this video -- and not my magazine covers -- is what people mention the most when they approach me on the street. It's pretty incredible."

Christy Turlington

"It was a whirlwind. I flew in from LA and drove straight to the set, so I was pretty delirious. Each of us filmed for a day on our own, except Linda and I overlapped on the last day because we had a scene together. They were long days. I don't recall any specific direction from David Fincher. He was focused on the lighting I recall. George was there the whole time."

Cindy Crawford

"I remember them sending me a Walkman so I could learn the words before I got to set. The studio was huge and dark and smoky. Someone explained to me that my first shot would be in a bathtub. They oiled me up and put me in an empty tub with a smoke machine to look like steam. I had to sit on an apple crate because you couldn't see me over the edge of the tub. My second shot was sitting on a chair with a towel on my head, and I kept thinking my part wasn't going to be that sexy. I watched the video recently, as I wanted to write about the whole supermodel phenomenon in my new book, 'Becoming', and my kids were like, "Hey, we know that song!" I think it stands the test of time and still looks amazing today. I like how David Fincher saw something different in each of us and tried to bring that out in the video."

France Debates New Fashion Model BMI Laws & Pro-Ana Websites

France Debates New Fashion Model BMI Laws & Pro-Ana Websites

Takedown Of The Supermodels

What the fashion industry has never explained is the reasons why the world’s top models in the late 80s and into the 90s were size 4-6. AOC has written about the topic of size 0 models for years. The downsizing of supermodels like Cindy Crawford, Naomi Campbell, Christy Turlington, Linda Evangelista, Claudia Schiffer and all the glory girls to today’s size 0 and smaller has never explained.

The closest the industry comes is to acknowledging that their embrace of Kate Moss’ ‘heroin chic’ look, one popularized in the mid-1990s, did make vibrant, healthy-looking girls like Crawford and company suddenly undesirable.

In May 1997 President Bill Clinton accused the US fashion industry of portraying heroin use, coupled with emaciated models, androgynous looks and dark circles under their eyes, as glamorous to sell clothes

The glorification of heroin is not creative, it’s destructive,” Clinton said. “It’s not beautiful, it is ugly. And this is not about art, it’s about life and death.

Clinton’s remarks were prompted by the recent death of DavideSorrenti, brother of Mario, who died of a heroin overdose at the age of 20. In a note of irony, Mario photographed Kate Moss, his girlfriend at the time, in the Calvin Klein ‘heroin chic’ Obsession campaign.