Fashion's Hippie Love Trend Is Tied To Womanly Cultural Creative Values
/Left: Abby Brothers | Zoey Grossman | Novella Royale August 2012 | Vintage Collection III
Right: Kate King | Emma Tempest | Dansk #28 F/W 2012 | Garb of the Groupie
Fall 2012 fashion is having a Hippie Luxe moment. 70’s references abound and we fully expect to see Janis Joplin and Jimi Hendrix appear any moment.
Hippie Fever
Tallulah Morton | Fred Meylan | Amica August 2012 | 70s
Meghan Collison & Kori Richardson | Leda & St. Jacques | Elle Canada September 2012 | The Wicked Game
Also:
Janini Milet | Diane Sagnier | Be France August 2012 | Hippique Chic
Cultural Creatives Movement
Cultural Creatives Now 35% of US | 10% in Transition AOC New Day
Cultural Creatives often describe themselves as ‘bridge people’ between the Traditionals and Moderns, ‘trying to make a ‘cultural synthesis’ that moves the world beyond its polarized opposites. This subset of global-thinking people first emerged in the sixties and is 65% women.
The core values of Cultural Creatives remain:
- Ecological sustainability
- Enjoying exposure to foreign ideas and culture
- Concern about women and children worldwide
- Priority of health care and education
- Desire to rebuild neighborhoods and community
- Improving neighborhoods and community
- Emphasis on creating caring relationships and family life
- Social conscience and demand for authenticity
- Guarded social optimism
- Emphasis on altruism, self-actualization and spirituality as a single complex of values.
In the 1995 study, Cultural Creatives were 23.6% of US adults. By 1999 they had increased to 26%.
An addition to the new 2008 research is a new group called the Transitionals, representing 10% of Americans.
The current US breakdown in Dr. Ray’s research is:
Moderns 39.7%
Cultural Creatives 34.9%
Traditionals 15.4%
Transitionals 10.1%
Hope Springs Eternal
Hope Springs Eternal for a Better World in My Summer of Love (Aug 2007) AOC New Day
I attach transcendental meaning to every form of light show: white lights on bridges, lit windows in skyscrapers, fireflies in my garden.
In my twenties, my husband’s brother produced a marvelous breast sculpture a pulsating piece of female anatomy, featured in a Lincoln Center Salvador Dali moment. It offered endless hours of kaleidoscopic, lightshow effects, and transformed our ordinary Brooklyn apartment into a posh night club …
Much of the Whitney (Summer of Love) art was created under hallucinogenic influence of LSD, a fantasy-inducing drug that challenges our perception of reality with merging shapes, forms and colors that aren’t “real”.
Vivid, red geraniums aren’t actually visible on a dark, cloud-covered summer night, but one could probably pass a lie-detector test insisting that they were visible at 3am in full-crimson splendor, defying science in all their glory.
My Carversville flowers didn’t glow in the dark last night, and for one brief moment, I realized that forward-looking me wanted a supernatural, spiritual, acid-like experience with this heavily-promoted, healthy, heavenly light show. Read on