Dahlia Noir Goddesses Are Mystical, Mysterious, Strong & Fragile, Tribal Creatures of Nature Says Givenchy's Riccardo Tisci
/Daily French Roast
Anne is writing …
Anilez Silva ‘Africa’ by Daniel Bracci Delves Into Women’s Collective Unconscious AOC Rebel
Looking at Daniel Bracci’s magnificent images of Anilez Silva entitled ‘Africa’, my rational mind says “don’t go there, Anne”. Our politically correct world only sees stereotypes where you see art and connection.
After all, Anilez Silva is fiercely tribal, sensual, erotic, impenetrable, dangerous, ancestral, aboriginal and ancient. She is ferocious, native, natural, primeval and primitive; turbulent, unbroken and proud.
My friends at Jezebel would probably hate her. We tend not to see eye-to-eye on a few issues, and this is one of them. Are Bracci’s images stereotypical? Racist? I’m not an African American — or African woman — or African Parisian woman, so I can only speak to how these images affect me personally.
When the subject is Africa, I have a visceral response that another person might have with India. Most Americans have no visceral response at all, in terms of connection with “foreign” imagery, but this is not the case for me.
Wandering through Paris on a creative mission for Victoria’s Secret, my affinity for African art brought me a small museum in Paris called Musée Dapper, located then in a small townhouse at 50 Avenue Victor Hugo. I went there after the breakup of a serious love affair (again), wanting to escape current reality for an hour.
Thankfully, when I entered the almost colonial feeling townhouse of the old Dapper, it was mid-afternoon and raining, leaving the museum empty. Drawn immediately to a room of mounted masks, I sat down on a bench, alone with ancestral voices, personifications of good and evil, oracles from the spirit world, and witnesses to history. Almost instantaneously, I was overcome with an intense sorrow.
Anne of Carversville
Eye | Givenchy ‘Dahlia Noir’ Fragrance | Kate Scott Dahlias | Phoebe English AOC Style
MariaCarla Boscono fronts Givenchy’s ‘Dahlia Noir’ fragrance campaign by Mert & Marcus.
Givenchy creative director Riccardo Tisci loves dahlias, comparing them to his vision of beauty, danger and women. His creatures are mystical and mysterious, both male and female, strong and fragile — a vision of a modern goddess, says the Dahlia Noir website.
Givenchy’s ‘Dahlia Noir’ Woman Is A Freja Goddess GlamTribale
Granted, most of the goddesses enjoyed powerful personas. But writing about the Givenchy woman, GlamTribale’s Freja Goddess collection came to mind, and also the dahlias of my dear friend, photographer Kate Scott.
Kate’s erotic, deeply-sensual dahlias express the feminine strength expressed in the design of our Freja collection.
Sensuality News
Elza Luijendijk | Mert & Marcus | Versace Fall 2012
Sensuality News Living
Morgane Warnier | Daniel Sannwald | V Magazine Spain July 2012 | Color Bomb
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Alice Eve | Ruven Afanador | Tatler UK August 2012 | ‘Alice … and Eve’
Jacquelyn Jablonski | Philip Gay | Muse Summer 2012 | I Wear My Sunglasses At Night
Lisanne de Jong | Sergi Pons | El País | ‘Chiquitita’
Charlotte Burgon | David Oldham | Glamour UK August 2012 | Now This is Sexy Hair
Andressa Fontana | Zoltan Tombor | Grazia India July 2012 | Street Bijoux
Ebony | Anthony Tolsello | Love Dont Live Here Anymore
Alice Eve | Ruven Afanador | Tatler UK August 2012 | ‘Alice … and Eve’
AOC Private Studio
Laetitia Casta | Liz Collins | Instyle US August 2012 | Fall’s Sultry Side
Paige Watkins | Remi Rebillard | The Creatives | Les Dessous Chics
Eniko Mihalik | Ellen von Unwerth | Vogue Italia June 2012 | ‘So Full of Dreams