#Pizzagate Trumpsters Track British Artist Maria Marshall At National Museum of Women in the Arts
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MARIA MARSHALL, WHEN I GROW UP I WANT TO BE A COOKER (1998). COURTESY OF THE METROPOLITAN MUSEUM OF ART.
#Pizzagate Trumpsters Track British Artist Maria Marshall At National Museum of Women in the Arts
“There are things here I cannot show you, that some of you aren’t going to be happy with,” says the narrator, whose #Pizzagate channel on YouTube has almost 8,000 subscribers. The tone of voice is scandalized, the language vaguely threatening. He suggests that a man seen in a video in which Marshall makes brownies for her family is a pedophile. I “don’t know what you’re going to do about it,” he says, with the implication that his followers should take their anger to the source. And then: “I’m going to make a video on it in hopes that the right person sees it.” (Note that the video may have been removed.)
#Pizzagate is not gone from America's national scene. The false-flag operation that targeted presidential candidate Hillary Clinton with a debunked conspiracy theory that Clinton joined John Podesta in running a human trafficking and child-sex ring out of a DC pizza restaurant has now swept British artist Maria Marshall into its garbage dump.
In fact, Marshall's art will be considered 'evidence' of #Pizzagate truth by die-hard Trumpsters.
Marshall is among the artists collected by Clinton campaign chairman John Podesta's brother Tony who, with his ex-wife Heather, donated many of the most substantial works that appear in 'Revival', an exhibition at the National Museum of Women in the Arts. The show celebrates the institution’s 30th anniversary and will be on view through September 10.
