Gisele Bundchen Wears Sensual Elegance By Nino Muñoz For Harper's Bazaar Australia Jan-Feb 2019

Gisele Bundchen Wears Sensual Elegance By Nino Muñoz For Harper's Bazaar Australia Jan-Feb 2019

Supermodel Gisele Bundchen is styled by Kristen Ingersoll in Dior, Stella McCartney, Tom Ford, Reformation and more. Nino Muñoz captures Gisele in ‘The New Sexy’ for Harper’s Bazaar Australia Jan-Feb 2019.

Gisele is promoting her new book and Harper’s shares the excerpt about the rise of a serious condition of anxiety towards her life at age 23:

For 23 years, I've also been an image without a voice. I have this in common with lots of women. Haven't most of us gotten the message that our voices aren't worth hearing, whether we're being ignored in a meeting, or criticised online, or reduced to a bunch of body parts? Allowing myself to be open and vulnerable — not—her, but me, Gisele—is very scary. I won't be able to detach or hide anymore. At the same time, take it from me: nothing feels stranger than to be the object of someone else's projections. To be known but also unknown no longer feels right to me. Life is not always easy, nor is it a fairytale, and we all go through challenges, no matter who we are. By speaking up, I hope I can inspire other women to do the same, especially at a time when women need to support other women more than ever. After all, changes only come about when we are willing to stand for what we believe.

{. . . }

Finally, things came to a crisis point. It was the weekend, and I was in my apartment in New York. I'd booked a massage to help me relax, aware that the muscles in my body were growing more tense every day. By now my panic attacks — that's what my doctors were calling them — had been going on for nearly six months. At the time I was living on West Eleventh Street and the West Side Highway, overlooking the river. My apartment was on the ninth floor. It was small but airy and full of light, with lots of windows and a big deck outside. But suddenly in the middle of my massage, I just couldn't be there anymore. I couldn't catch my own breath. Making some excuse, I got up, pulled my towel around myself and went outside onto the deck. It was a beautiful night. There was the water and the lights in the distance, and as much air as I needed, but I still couldn't find my breath. It felt like everything in my life was going to kill me. First it was airplanes, then elevators. Then it was tunnels and hotels and modelling studios and cars. Now it was my own apartment. Everything had become a cage, and I was the animal trapped inside, panting for air. I couldn't see a way out, and I couldn't stand another day of feeling this way. The idea swept over me then: Maybe it will be easier if I just jump. It will be all over. There's a solution. I can get out of this.

Celine Delaugere Communes With Nature In 'Grey Gardens' By Sam Wilson For Indie Magazine Fall 2018

Model Celine Delaugere is styled by Samia Giobellina in ‘Grey Gardens’, lensed by Sam Wilson for Indie Magazine Fall 2018./ Makeup by Celine Exbrayat

Dalaugere’s tree-hugging embrace reminds me of a weekend Daily Om email by Madisyn Taylor: ‘Hugging a Tree’. On my own — but in conjunction with several Daily Om courses I was taking in 2017 — I developed a daily, significant relationship with a tree. In fact, I honor her while making my coffee in the morning, seeing her now without leaves out of my East Coast kitchen window.

The Taoist master Mantak Chia teaches students to meditate with trees, as a way of release “negative energies.” In his Cosmic Tree Healing Qigong method, Master Chia teaches how to align one’s body with the “aura” (or energetic field) of a tree. He explains that trees are natural processors that can help you transform your body’s sick or negative energy into positive, vital life force energy. As you connect your energy with the tree you facilitate your own physical and emotional healing. The Taoist theory is that because trees stand very still, they are better at absorbing the Earth’s Energy and the Universal Force from the Heavens. Trees and all plants have the ability to absorb the light frequencies and transform them into physical food; and they do the same with energetic food. The Taoist view of trees is to see them constantly in meditation, with subtle energy as their natural language. via

Hao Zeng Flashes Ange-Marie + Najiyah In 'Cool Kids' For L'Officiel Malaysia December 2018

Models French beauty Ange-Marie Moutambou and New York-based Najiyah Imani are ‘Cool Kids’, styled by Jeffrey Yan in Marc Jacobs Grunge looks. Photographer Hao Zeng captures the duo for L’Officiel Malaysia December 2018./ Makeup by Deanna Melluso

Petrovsky + Ramone Flash A Glittering Michelle Van Bijnen For L'Officiel Netherlands December 2018

Model Michelle Van Bijnen glitters in sheer elegance styled by Camille Josephine Teisseire. Photographer Petrovsky & Ramone are behind the lens for L’Officiel Netherlands December 2018./ Hair by Daan Kneppers; makeup by Kathinka Germant

Nancy Pelosi's Max Mara 'Fire Coat' Worn To Obama's Second Inauguration Will Be Reissued

Nancy Pelosi's Max Mara 'Fire Coat' Worn To Obama's Second Inauguration Will Be Reissued

Nancy Pelosi's 2013 Max Mara ‘Fire Coat’ is about to make a comeback!! ‘Beale’ Street Director Barry Jenkins must be orgasmic.

On Wednesday evening, Max Mara announced that the jacket setting Twitter blazing was its "Fire Coat," which the Italian fashion house last sold in 2013. However, because the coat is drawing so much attention, the Italian fashion brand confirms that it will reissue it in 2019 in a range of colors, including Pelosi's red/rust shade.

Now all we need is 'Beale Street' director Barry Jenkins -- who really was the catalyst behind the red coat blast -- and Pelosi in a DC ad shot, and fashion has made history.

In a statement, Max Mara Creative Director Ian Griffiths said:

The FIRE COAT is a boule shaped coat with a funnel collar — which is very feminine — but it has a shoulder and sleeve that are cut quite sharply. So whilst the body is soft, the shoulders give it structure. That contrast between masculine and feminine gives it modernity. This coat was designed over 6 years ago; a good coat is a life companion so it should be designed not to date. Ms Pelosi wore this coat to the Presidential Inauguration in 2013, and again for her historic meeting at the White House in 2018, so it clearly means something to her. You develop an emotional relationship with a coat like nothing else in your wardrobe and Max Mara coats are much more than just clothes. They represent lasting values, they project personal strength and glamour. I can imagine why Ms Pelosi chose to wear the FIRE COAT for this important moment and I'm honoured.

Sarah Blais Captures Hen Yanni + Omre van Opstal For L'Officiel Italia December 2018

Tel Aviv native actor, model, singer and now DJ Hen Yanni joins Dutch girlfriend dancer Omre van Opstal of Batsheva Dance Company in ‘Hen & Imre’, styled by Monika Tatalovic. Photographer Sarah Blais is behind the lens for L’Officiel Italia December 2018./ Hair by Pierpaolo Lai; makeup by Tanja Friscic

Red Milk interviewed Hen Yanni in March 2018

Emily Ratajkowski Sizzles, Talks Feminism + Sexuality For Vogue Australia January 2019

Emily Ratajkowski Sizzles, Talks Feminism + Sexuality For Vogue Australia January 2019

Top talent, model, activist, lingerie designer and actor Emily Ratajkowski covers the January 2019 issue of Vogue Australia. Jillian Davison styles Emily for images by Nicole Bentley.

Zara Wong interviews Emily, who is in Sydney to receive the International Woman of the Year award at the GQ Australia Men of the Year event.

The star is proud of her combination of beauty and intellect, believing that she herself is a vessel for discussions on the politics of feminism. AOC adds “and sexuality”.

“It’s a contradiction,” she says. “Firstly, I think it’s sexism. I think in general people don’t really want to hear women talk about these kinds of things, and especially women who make money on how they look: they especially resent them using their voice.”

She’s heard the criticisms of herself, and has considered them. “The only argument that I think is sort of interesting is the conversation that somehow I’m playing into a patriarchal society by looking the way I look and capitalising on my sexiness,” she says with a shrug. “But I don’t really care if me wearing a crop top is somehow playing into some patriarchy, because it makes me feel good about myself, and I shouldn’t be limited on that. Making rules as to what a feminist should look like or wear is insane to me.” It’s a thought she will touch upon again at her speech at the GQ Australia Men of the Year awards, where she was acknowledged for her activism – that she can wear a string bikini and have a stand on politics, too. “No-one should be shaming anyone, and women especially should not be shaming other women.” She probes further: “I think there’s a whole other level of women who are sexy and are promoting their sexiness or are comfortable with their sexinesss; they especially don’t want to hear it from them.”

As for GQ, they justified their award by saying Ratajkowski was key to the “modern feminist movement”.

“Spending the last few years travelling the world as one of the planet’s most in-demand models, she’s also established herself as a de facto face of the modern feminist movement, spreading a message of body positivity and a ruthless, no-holds-barred approach to sexual equality that has seen her sweep up both accolades and criticism across the globe,” GQ announced.

Theo Sion Captures 'The New Girl' In Menswear Looks For Vogue UK January 2019

Models Ansley Gulielmi, Amandine Renard, Adela Stenberg and Remington Williams are styled by Venetia Scott in androgynous, menswear looks. Theo Sion captures ‘The New Girl’ for Vogue UK January 2019./ Hair by Syd Hayes; makeup by Hiromi Ueda

Felicity Jones Talks Playing Ruth Bader Ginsburg In 'The Illusionist' For Porter Edit Dec. 7, 2018

Felicity Jones Talks Playing Ruth Bader Ginsburg In 'The Illusionist' For Porter Edit Dec. 7, 2018

Actor Felicity Jones graces the pages of Porter Edit’s Dec. 7 issue, styled by Tracy Taylor in ‘The Illusionist’ by Matthew Sprout.

Jones was in Washington, DC Tuesday night for the premier of the new biopic ‘On the Basis of Sex’, in which Jones plays Supreme Court Justice Ruth Bader Ginsburg. Notorious RBG, now 85, posed with Jones and also Armie Hammer who plays her late husband Martin Ginsburg, and Justin Theroux, who plays former ACLU legal director Melvin Wulf. Read the opening night details at The Hollywood Reporter.

Back to Porter Edit, Jane Mulkerrins interviews Jones about playing heroic women.

While the film documents Ginsburg’s path to the highest legal appointment in the land, a path beset by sexism and misogyny, it is also a portrait of her very modern marriage to fellow lawyer Marty, played in the film by Armie Hammer, who supported his wife’s career unreservedly. Marty did all the cooking at home, says Jones: “They believed that gender stereotypes limit both men and women, that the patriarchy holds everyone back.” The apartment, she says, remains full of “the remnants of their life together – including racks of Marty’s cooking pots”. Now, Jones does not take her own opportunities for granted. “You’re not just expected to settle down and have children,” she notes. “If you want to do that, then that’s equally as valid a choice. But if you have ambition, why not follow it?”

The film ‘On the Basis of Sex’ opens in US theaters on Dec. 25 and in the UK on Feb. 8.

Erica Fava Eyes Anna Kolomnikova In 'Every century has its own Middle Ages' For Blanc Magazine

Model Anna Kolomnikova is styled by Valeria J. Marchetti in ‘Every century has its own Middle Ages’. The visually rich, hyper-creative editorial is lensed by Erica Fava for Blanc Magazine’s Fall 2018 issue. / Makeup by Chiara Corsaletti; hair by Vicky Hair Fusion