Cameron Russell Speaks Her Mind, Lensed by Yumma Al-Arashi for Telegraph UK

Cameron Russell Speaks Her Mind, Lensed by Yumma Al-Arashi for Telegraph UK

Top model, new mom and activist Cameron Russell is styled by Rachel Wang in Yumna Al-Arashi’s fashion editorial for Telegraph UK’s magazine. / Hair by Yukiko Tajima; makeup by Allie Smith

In her interview, Cameron tells readers that her outspoken activism has caused her more than one fashion shoot over the years. Conversely, she believes that her commitment to holistic sustainability in fashion and everyday life, coupled with her celebration of female leadership in the industry, is a key driver behind her new Max Factor beauty contract. Not all of Russell’s actions around #MeToo won her love in the fashion industry.



Stella McCartney Issues Dramatic Plea for Critical Sustainability Changes in Fashion Industry

Amber Valletta, Chu Wong + Emma Laird Front Stella McCartney Fall 2019 by Johnny Dufort Stella McCartney Fall 2019 Ad Campaign

Stella McCartney’s Fall 2019 ad campaign features Amber Valletta, Chu Wong and Emma Laird lensed by Johnny Dufort./ Makeup by Thomas De Kluyver; hair by Gary Gill

Stella McCartney Open Letter on Sustainability Sept. 15, 2019

In advance of her Spring 2020 Women’s Ready-to-Wear show McCartney issued an industry letter published in London’s Sunday Times Style magazine. The designer known for her relentless work with the fashion industry around issues of sustainability is calling for immediate action in all sectors of garment manufacturing.

"The fashion industry is at a crossroads, and I believe that this is a moment for us to come together to achieve systemic, sustainable change in our industry. “

Designer Stella McCartney

McCartney is calling for a shift towards circularity and reuse of what we already have, helping to reduce the insatiable need for newness that has ravaged the planet in the last 20 years.

"The fashion industry is one of the most polluting and damaging industries in the world. Every single second, the equivalent of one rubbish truck of textiles is sent to landfill or burnt.

"The fashion industry accounts for more than a third of ocean microplastics, while textile dyeing is the second largest polluter of clean water globally. If nothing changes, by 2050 the fashion industry will be using up to a quarter of the world's carbon budget.

"This way of working is not sustainable. The world is crying out for change, and it is our responsibility to act now... The science is clear, and we need to do more than just incremental shifts; keeping business as usual is no longer an option."

As well as encouraging rental, resale and recycling of clothing, Stella wants companies to embrace new "tools" and "innovators" to create their garments.

As well as encouraging rental, resale and recycling of clothing, Stella wants companies to embrace new "tools" and "innovators" to create their garments.

"The Ellen MacArthur Foundation tells us that only 1% of textiles are recycled back into textiles each year -- this is simply unacceptable. Supporting innovators will help to drastically increase this number, but we need this shift now.

"Companies we work with, like Econyl and Evrnu, are enabling true textile-to-textile recycling. More brands could help these innovators scale, and governments should support their development.

"For decades the fashion industry has relied on the same 10 to 12 fibres to make almost all of our garments, and I believe that it is time for us to add some new tools to our toolbox. Incredible innovators like Bolt Threads are using cutting-edge technology and biology to develop new textiles and materials.

"They are reimagining what the building blocks of our industry could be, and we are working closely with them as they develop incredible mycelium-based 'leather', grown in a lab and not harming a single creature in the process.

"The production of leather, which can account for up to 10% of the commercial value of a cow, shares full responsibility for the same environmental hazards as the meat industry; most critically, it is a leading cause of climate change. I believe with these new technologies that we are on the brink of something very exciting."

New AOC Writing on Sustainability

Zendaya Soars (Literally) In Ryan McGinley Cover Story for Garage Magazine FW 2019

Zendaya Soars (Literally) In Ryan McGinley Cover Story for Garage Magazine FW 2019

Oakland-born actor and singer Zendaya covers the Fall/Winter issue of Garage Magazine, leaving us with a big dose of visual artistry in both creative direction and design, along with a strong fashion editorial. Gabriella Karefa Johnson and Lawe Roach style the Disney star lensed by Ryan McGinley./ Creative direction by Brian Phillips; art direction by João Moraes; set design by Robert Semrel;; hair by Martin Christopher Harper; makeup by Raisa Flowers

Campbell Addy Flashes 'Paint by Numbers' for Vogue UK September 2019

Campbell Addy Flashes 'Paint by Numbers' for Vogue UK September 2019

Models Callie Dixon, Paloma Elsesser, Tess McMillan and Ugbad are styled by Julia Sarr-Jamois in ‘Paint by the Numbers’, lensed by Campbell Addy for British Vogue September 2019./ Hair by Cyndia Harvey; makeup by Ammy Drammeh

Maggie Maurer Wears Modern Layers Lensed by Agata Pospieszynska for Harper's Bazaar Spain

Maggie Maurer Wears Modern Layers Lensed by Agata Pospieszynska for Harper's Bazaar Spain

Model Maggie Maurer is styled by Ana Tovar in oversized, tailored, neutral layers for ‘Chica Cocodrilo’. Photographer Agata Pospieszynska is in the studio for Harper’s Bazaar Spain September 2019.

Adwoa, Jill and Ebonee Headline H&M Fall 2019 Conscious Recycled PET Bottles Collection

Adwoa, Jill and Ebonee Headline H&M Fall 2019 Conscious Recycled PET Bottles Collection

Top model and activist Adwoa Aboah joins Jill Kortleve and Ebonee Davis in launching H&M’s Fall 2019 Conscious collection and campaign. The collection will be released worldwide in September.

Recycled polyester is the key material for H&M’s Fall 2019 Conscious Collection, found in the dresses, shirts, knitwear, outerwear and tailored pieces. Most often made from used PET bottles, recycled polyester is processed and spun to create a fabric that’s easy to care for. Meanwhile, the jersey pieces in the collection are made from organic cotton or blend made out of TENCEL™ lyocell fibres.

Julia Nobis Fronts Louis Vuitton Capucines Handbag Fall 2019 Campaign by Craig McDean

Julia Nobis Fronts Louis Vuitton Capucines Handbag Fall 2019 Campaign by Craig McDean

Top model Julia Nobis poses with crayola-colored Louis Vuitton Capucines style handbags in the new Fall 2019 campaign. Marie-Amelie Sauvé styles Nobis as photographer Craig McDean whips out his special thinner-than-Barbie model lens for the glossy shots.

Nicolas Valois Snaps Military Fashion As Madame Figaro France Inspires Delayed 9/11 Reflections

Nicolas Valois Snaps Military Fashion As Madame Figaro France Inspires Delayed 9/11 Reflections

Model Loane Normand suits up in utilitarian military looks so fancied in Europe. Cecile Martin styles Normand in images by Nicolas Valois for Madame Figaro France August 31, 2019.

Speaking of taking a fancy to bad-ass military women, it’s Madame Figaro France who just introduced me to the new Valerie Plame Campaign video. Plame is a well-known CIA agent who was outed in the Bush administration and had to leave the service. She’s now running for Congress (the House of Representatives) as a Democrat from New Mexico. We have multiple new military and CIA women in Congress elected in November 2018 — and I love them.

Now that Madame Figaro has set up this nod to America’s women , let me share more of my favs. Next up, Amy McGrath running in Kentucky to unseat Senate Majority Leader Mitch McConnell. Amy narrowly lost her House election in November 2018.

Annie Tice Explores Boho Nobility in Paul McLean Images for Amica Magazine September 2019

Annie Tice Explores Boho Nobility in Paul McLean Images for Amica Magazine September 2019

Noble Origins goes Boho in model Annie Tice’s eclectic fashion editorial for Amica Magazine’s September 2019 issue. Silvia Gabrielli styles Annie in Dior, Dolce & Gabbana, Etro, Michael Kors Collection, Missoni, Saint Laurent and more in images by Paul McLean./ Hair by Jamie McCormick; makeup by Jose Bass

Sonia Szostak Eyes Juliane Gruner in Modern Woman Style for The Last Magazine Fall 2019

Sonia Szostak Eyes Juliane Gruner in Modern Woman Style for The Last Magazine Fall 2019

Juliane Gruner is styled by Katelyn Gray in modern fashion looks from Gabriela Hearst, Marina Moscone and Marine Serre. Sonia Szostak captures the style mashup of young brands owned by women for The Last Magazine Fall 2019./ Hair by Hikaru Hirano; makeup by Homa Safar

Fast fashion lies: Will they really change their ways in a climate crisis?

Fast fashion lies: Will they really change their ways in a climate crisis?

By Anika Kozlowski, Assistant Professor of Fashion Design, Ethics and Sustainnability, School of Fashion, Ryerson University. First published on The Conversation.

Recently Zara introduced a sustainability pledge. But how can Zara ever be sustainable? As the largest fast-fashion retailer in the world, they produce around 450 million garments a year and release 500 new designs a week, about 20,000 a year. Zara’s fast-fashion model has been so successful it has inspired an entire industry to shift — churning out an unprecedented number of fashion garments year-round.

We live in an era of hyper-consumption in the middle of a climate crisis.

Clothing production doubled from 2000 to 2014. The average consumer bought 60 per cent more clothing in 2014 than in 2000, but kept each garment half as long. Apparel consumption is projected to to rise by 63 per cent in the next 10 years. And less than one per cent of all clothing produced globally is recycled.

With production numbers like these, can any fast-fashion retailer claim sustainability?

Juergen Teller Captures Rianne Van Rompaey in 'Ciao Bella' for Vogue Paris September 2019

Juergen Teller Captures Rianne Van Rompaey in 'Ciao Bella' for Vogue Paris September 2019

Top model Rianne Van Rompaey continues her global fashion tour, hitting the streets of Milan for another fall trends overview in the pages of Vogue Paris September 2019. Aleksandra Woroniecka styles Rianne in ‘Ciao Bella’ with images by Juergen Teller

Dutch Museum Faces Protest Over Exhibition on Nazi Design

A picture taken on September 8, 2019 shows a Swastika formed with red carpets by artist Ralph Posset during the opening of an exhibition entitled "Design of the Third Reich" at the Design Museum Den Bosch, in 's-Hertogenbosch, central Netherlands. - The exhibition will show the contribution of design to the development of the Nazi ideology. (ROB ENGELAAR/AFP/Getty Images for Smithsonian.com)

The show focuses on how design furthered the ‘development of the evil Nazi ideology,’ but critics worry the show glorifies Nazi aesthetics.

By Brigit Katz. First published on Smithsonian.com.

Swastikas hang from the walls. Nazi propaganda films play across the gallery. Photos display the imposing choreography of Hitler’s rallies. They’re all part of a new show in the Netherlands seeking to place Nazi design under scrutiny. The exhibition at the Design Museum in Den Bosch explores how aesthetics fueled “the development of the evil Nazi ideology,” as the museum puts it. But the show, which was met with protests on its opening day, also shows the challenges of presenting Nazi iconography within a museum setting.

As Daniel Boffey of the Guardian reports, “Design of the Third Reich” includes a 1943 Volkswagen Beetle, images from the 1936 Summer Olympics in Berlin, films by the Nazi propagandist Leni Riefenstahl and a piece by Arno Breker, reported to be Hitler’s favorite sculptor. The exhibition uses the artifacts to explore the contradictions of Nazism’s grandiose, romantic aesthetics, which sought to convey an image of prosperity and “purity” while its adherents were carrying out the most heinous of crimes.

Museum officials have taken steps to ensure that the exhibition’s artifacts are not taken out of context and glorified. Photography is prohibited in the gallery, so visitors are unable to post pictures of themselves with sensitive materials, and the museum has hired extra security to patrol the exhibition spaces, as Dutch News reports. The museum has also recruited people to monitor what is being said about the show on social media. Additionally, a spokesperson tells Catherine Hickley of the Art Newspaper that museum staff held a “very fruitful conversation” with members of the local Communist Youth Movement, which had requested demonstration permits before the show’s opening, to explain the purpose of the exhibition.

But that did not stop communist activists from protesting near the entrance of the museum on Sunday. The Association of Dutch Anti-Fascists has condemned the show as “provocative” and called on authorities to shut it down.

Timo de Rijk, director of the Museum of Design, is sensitive to criticisms of the new exhibition. “They are concerned that maybe we are glorifying it all,” he said of the protestors. “I would not be doing this if I thought we were, but I can understand that they are aware of that kind of evil in history.”

The museum insists that it is important to take a critical look not only at the “good side of culture,” but also its more sordid chapters. “The Nazis were masters in using design to achieve their goal, to both convince and destroy huge numbers of people,” the museum states. “If you wholeheartedly want to be able to say ... ‘[N]ever again,’ you must take time to analyse how the influencing processes worked at the time.”

Hanna Luden, director of the Center for Information and Documentation on Israel in The Hague, seems to agree. She tells Stefan Dege of Deutsche Welle that the Museum of Design is walking a “tightrope act” with its displays of Nazi paraphernalia—but that ultimately, exposing the terrible, manipulating power of Third Reich propaganda is "fundamentally good."

Jacques Burga Flashes An Alluring Winnie Harlow for ELLE Russia October 2019

Jacques Burga Flashes An Alluring Winnie Harlow for ELLE Russia October 2019

The indomitable Winnie Harlow covers the October 2019 issue of ELLE Russia, styled by Lilya Simonyan in sexy black and white tailoring lensed by Jacques Burga. / Hair by Hos Hounkpatin; makeup by Porsche Cooper

Why We Need to Protect the Extinct Woolly Mammoth | A CITIES Conference Update

THE VENUS OF BRASSEMPOUY (FRENCH: LA DAME DE BRASSEMPOUY, MEANING "LADY OF BRASSEMPOUY", OR DAME À LA CAPUCHE, "LADY WITH THE HOOD") IS A FRAGMENTARY IVORY FIGURINE. IT WAS DISCOVERED IN A CAVE AT BRASSEMPOUY, FRANCE IN 1892. ABOUT 25,000 YEARS OLD, IT IS ONE OF THE EARLIEST KNOWN REALISTIC REPRESENTATIONS OF A HUMAN FACE. THE VENUS OF BRASSEMPOUY WAS CARVED FROM MAMMOTH IVORY. VIA WIKIPEDIA FRANCE.

Why We Need to Protect the Extinct Woolly Mammoth | A CITIES Conference Update

By Zara Bending, Associate, Centre for Environmental Law, Macquarie University. First published on The Conversation.

An audacious world-first proposal to protect an extinct species was debated on the global stage last week.

The plan to regulate the trade of woolly mammoth ivory was proposed, but ultimately withdrawn from an international conference on the trade of endangered species.

Instead, delegates agreed to consider the question again in three years, after a study of the effect of the mammoth ivory trade on global ivory markets.

Why protect an extinct species?

The Convention on the International Trade in Endangered Species of Wild Fauna and Flora (CITES) is an international agreement regulating trade in endangered wildlife, signed by 183 countries. Every three years the signatories meet to discuss levels of protection for trade in various animals and their body parts.

The most audacious proposal at this year’s conference, which concluded yesterday in Geneva, was Israel’s suggestion to list the Woolly mammoth (Mammuthus primigenius) as a protected species.

Specifically, it aimed to list the woolly mammoth in accordance with the Convention’s “lookalike” provision. Once woolly mammoth ivory is carved into small pieces, it is indistinguishable from elephant ivory without a microscope. The proposal is designed to protect living elephants, by preventing “laundering” or mislabelling of illegal elephant ivory.

Had it passed, it would have been the first time an extinct species has been listed to save its modern-day cousins. Most populations of woolly mammoths went extinct after the last ice age, 10,000-40,000 years ago.

Kesewa Aboah Charms in Vibrant Buzz White Images for Telegraph Magazine September 6, 2019

Kesewa Aboah Charms in Vibrant Buzz White Images for Telegraph Magazine September 6, 2019

Famous London family member, DNA model, Brooklyn-based artist and activist Kesewa Aboah is featured in Telegraph UK Magazine’s latest fashion story. Sophie Warburton styles Aboah in images by Buzz White./ Makeup by Naoko Scintu; hair by Philippe Tholimet