Stars Align In Alabama: Emmett Till; Four Birmingham, Alabama Church-Going Girls; Doug Jones; Dana Schutz & Racial Reconciliation

Stars Align In Alabama: Emmett Till; Four Birmingham, Alabama Church-Going Girls; Doug Jones; Dana Schutz & Racial Reconciliation

Nigerian-born, Huntsville-raised, U of Alabama grad Toyin Ojih Odutola first got the attention of Voguemagazine when the poet Claudia Rankine published as essay in Aperture magazine, "A New Grammar for Blackness'. 

A year later, Toyin Ojih Odutola has mounted a solo show 'To Wander Determined' at the Whitney Museum in New York. Upon entering the show, visitors see a letter written by Odutola in the persona of the 'Deputy Private Secretary' for two aristocratic families in Lagos. 

artNet writes: "For Ojih Odutola, their images form a corrective to a Eurocentric art history that thinks of both court portraiture and genre paintings as belonging to a primarily white world, with black characters as footnotes—cast as servants, slaves, or left out completely.."

The topic of black identity, colonialism, and cultural appropriation have lived front and center in our national -- and international -- dialogue in 2017. 

Rujeko Hockley & Jane Panetta Named Curators Of 2019 Whitney Bienniale

RUJEKO HOCKLEY (LEFT) AND JANE PANETTA. © 2017 SCOTT RUDD. COURTESY OF THE WHITNEY MUSEUM.

Rujeko Hockley & Jane Panetta Named Curators Of 2019 Whitney Bienniale

The Whitney Museum announced Wednesday that Jane Panetta and Rujeko Hockley will co-curate the 2019 Whitney Biennial. As current curators of the Whitney’s staff. the two women are “two of the most compelling and engaged curatorial voices of the moment,” according to a statement from the Whitney’s chief curator, Scott Rothkopf.

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Panetta joined the Whitney in 2010 and has curated solo presentations by Willa Nasatir and MacArthur “Genius” Njideka Akunyili Crosby. Hockley, who was came to the museum in March 2017, co-curated the highly acclaimed Brooklyn Museum show “We Wanted a Revolution: Black Radical Women, 1965–85.” At the Whitney, she has so far co-curated “Toyin Ojih Odutola: To Wander Determined,” , on view at the Whitney until February 25, 2018, as well as the ongoing group show “An Incomplete History of Protest.”

The news comes at the end of a year marked by intense controversies around cultural appropriation in the art world. Among the most divisive arguments was the public maelstrom around Dana Schutz's painting of Emmett Till, Open Casket. The painting prompted open letters calling for the removal and even destruction of the painting, silent protests in front of the work, and demands that other works ALL of Dana Schutz's paintings be banned from a show in Boston as punishment for her offense of the Emmett Till painting.

2017 Whitney Biennial Curators Lew & Lockshave Stand Firm On 'Open Casket' Controversy

2017 Whitney Biennial Curators Lew & Lockshave Stand Firm On 'Open Casket' Controversy AOC The Wokes

Not in recent memory has a single painting caused such controversy and furor in the contemporary art world as Dana Schutz's 'Open Casket' (2016), part of New York's current Whitney Biennial. The portrait focuses on the disfigured corpse of Emmett Till, murdered in 1955 at age 14 by a Mississippi lynch mob after conflicting stories about whistling -- or 'worse' according to suggestive innuendos in court testimony -- at a white woman. 

The two Biennial creators  Christopher Lew and Mia Lockshave also become the target of criticism, and Artnet New's editor-in-chief Andrew Goldstein spoke to Lew about the controversy.