Tate Modern has joined the Picasso Museum in Paris in a "once in a lifetime" exhibition that will focus on some of the biggest masterpieces created by Pablo Picasso at the height of his passionate and psychologically challenging love affair with Marie-Thérèse Walter.
Picasso met Walter during his marriage to his first wife Olga Khokhlova, a Russian ballerina and mother of his son Paulo. In a chance encounter in front of Paris' Galeries Lafayette department store, Picasso, then 45 first saw the model at age 17. Their relationship lasted nearly a decade, and in 1935, Walter gave birth to their daughter, Maya Picasso (later Maya Widmaier-Picasso).
The exhibition featuring more than 100 paintings, sculptures, and works on paper will launch at the Paris museum in October and move to London in March 2018.
A show superstar will be the 1932 masterpiece Le Rêve (The Dream), in which "a luminous Walter sits on a red armchair with her left breast exposed; her eyes closed and her head titled to one side, she’s smiling in reverie, writes ArtNet.
Le Rêve has never been shown in the UK. It was sold in 2013 by Las Vegas casino powerhouse Steve Wynn to hedge fund manager Steven A. Cohen at a price believed to be the highest price paid by a US collector for an artwork.
Previously, AOC explored Picasso's relationship with women -- and its intersection with global politics, including the Republican War on Women in America. With the arrival of President Trump, this essay is more timely than ever. It was inspired by comments a 61-year-old Picasso told Françoise Gilot in 1943, and I wrote it a few weeks before heading to Washington DC on April 7, in a rally that supported Planned Parenthood.
"Women are machines for suffering," Picasso said. "For me there are only two kinds of women: goddesses and doormats."
Picasso Believed Women Were Goddesses Or Doormats | Sound Familiar? AOC Women's News