How New Voters and Black Women Transformed Georgia's Politics

How New Voters and Black Women Transformed Georgia's Politics AOC Blackness

On Jan. 5, Georgians chose a Black pastor and a 33-year-old son of Jewish immigrants – Democrats Raphael Warnock and Jon Ossoff – to represent them in the Senate. They also elected Democrat Joe Biden for president in November.

Georgia’s turn from blood red to deep purple gave Democrats their slender majority in the Senate, surprising Americans on both sides of the aisle. This historic moment was a long time coming.

The elections of Biden, Warnock and Ossoff are the culmination of a years long tug of war among the members of Georgia’s racially, ethnically and ideologically diverse electorate.

Georgia’s demographics are changing fast. In 2019, it was ranked fifth among U.S. states experiencing an influx of newcomers. According to census data, 284,541 residents arrived from out of state that year.

Many of Georgia’s newest voters come from groups that lean Democratic: minorities, young people, unmarried women. Between 2000 and 2019, Georgia’s Black population increased by 48%, mostly because people moved there from out of state. African Americans now make up 30% of Georgia’s population. The Latino population increased by 14% since 2000, and Latinos now comprise 9% of Georgians.

Meanwhile, Georgia’s white population declined slightly, from 57% in 2010 to 54% in 2019. Non-Latino whites are projected to be a numerical minority in Georgia within the next decade.

Just 30% of white Georgia voters chose Warnock and Ossoff on Jan. 5. But the pair, who often campaigned together, both won about 90% of the Black vote and about half of Latinos. Two-thirds of Asian Americans – a small but fast-growing electoral force in Georgia – voted for Ossoff, Warnock and Biden, exit data shows.

The New South

The elections of Biden, Warnock and Ossoff are the culmination of a years long tug of war among the members of Georgia’s racially, ethnically and ideologically diverse electorate. Five decades ago, the state of Georgia was a very different atmosphere for people of color.

In July 1964, Georgia restaurateur Lester Maddox violated the newly passed Civil Rights Act by refusing to serve three Black Georgia Tech students at his Pickrick Restaurant in Atlanta. Although this new federal law banned discrimination in public places, Maddox was determined to maintain a whites-only dining room, arming white customers with pick handles – which he called “Pickrick drumsticks” – to threaten Black customers who tried to dine there.

Endorsed by the Ku Klux Klan in his successful 1974 bid for the governorship, Maddox was once called “the South’s most racist governor.” But hostile treatment of minorities has often been Georgia’s chosen style of politics.

Read on in AOC Blackness: How New Voters and Black Women Transformed Georgia's Politics

Jennifer Lopez Owns Allure Magazine's Drop-Dead 30th Anniversary Covers

Jennifer Lopez Owns Allure Magazine's Drop-Dead 30th Anniversary Covers

American talent and style icon Jennifer Lopez makes a spellbinding, modern glamazon impression on the cover of Allure Magazine’s 30th anniversary March issue. Lopez owns the cover, sporting a new pixie cut by long-time hairstylist Chris Appleton. who describes J.Lo’s shearing as a “90s-inspired wet look crop”.

Only a truly fierce lioness with an overabundance of self-confidence and a lifetime of self-discipline could pull off this visual coup approaching age 52. I’m not impartial about the photoshoot, because I know photographer Daniella Midenge and — trust me — these spectacular images are the result of Daniella “understanding” Lopez. There’s some serious cosmic energy exchange going on between the two women, and the result is an Allure Jennifer Lopez beauty bonanza.

I told Daniella yesterday that people who hate everything — people who deserve a total smackdown for constant negativity — are raving about these images.

Between J Lo’s new hair and Daniella’s pics, it was if lightening struck in the middle of Trump’s second impeachment trial in COVID-world. Frankly we need an adrenaline shot; and these two modern goddesses delivered. / Styling by Nicola Formichetti; makeup by Mary Phillips; set design by Evan Jourden

Danielle Pergament interviews J. Lo in Jennifer Lopez: The Glory and the Dream (and the Drive). Much of the interview is devoted to the star’s famous state of perpetual overdrive. J. Lo defines the concept of an over-achiever.

There’s plenty of energy in the later-date interview as well. Pergament sets up a discussion about where the world is at, writing:

For all the horrors of 2020, it also brought some profound moments of beauty — snapshots of selflessness and love, engagement, and compassion. When tragedy came to the foreground over and over again, so did our humanity. The Earth stopped vibrating with traffic and the air cleared. Entire cities stood in applause at 7 p.m. And when justice was suffocated to death, we Sharpie’d words from the United States Constitution onto pieces of corrugated cardboard, took to the streets, and marched for righteousness.

Tossing the ball to Lopez, she says:

“We can’t just keep living our lives and thinking everything’s going to work itself out,” Lopez says. “No, it’s not going to work out. We have to get involved. We have to make changes. That was why 2020, as difficult and scary as it was, was so necessary. . . “