These Women Playwrights Are Giving Theater A Moral Compass

Playwrights Lynn Nottage, Anna Deavere Smith, and Paula Vogel, photographed at the Cort Theatre, in New York City.Photograph by Mark Schäfer.

“I wanted to write a new play,” explains the playwright at the center of Paula Vogel’s Indecent, “that posed contemporary moral questions, that forced us to face some uncomfortable truths.” Vogel’s inventive portrayal of a 20th-century Yiddish theater troupe struggling with controversial material does just that, as do Anna Deavere Smith’s Notes from the Field and Lynn Nottage’s Sweat, for which Nottage received the Pulitzer Prize in Drama.

Vanity Fair profiles the trio . three gifted artists delving into oppression and loss, giving complex voices to complex issues from America's Rust Belt to a young black man's police confrontation in Baltimore. 

Meet Emily Steel, Dedicated New York Times Reporter Who Is Bill O'Reilly Enemy #1

Marie Claire interviews New York Times reporter Emily Steel, who insists "I'm not the story" when talking about Bill O'Reilly's epic fall at Fox News. Perhaps not, but the investigative research approach that she took, together with her Times colleague Michael S. Schmidt, was absolutely awesome, inventive, meticulous and truly original. 

Three weeks ago, Steel and Schmidt dropped their explosive Times article, documenting settlements with at least five accusers over the last 15 years, to the hefty sum of $13 million. Within two days of their report, over 50 advertisers had fled O'Reilly's show. And now he's gone from his perch as the biggest anchor on cable TV.

We learn that Emily Steel has been a thorn in O'Reilly's big toe for years. She reported on his false claims about covering the Falklands War in the 1980s, when he was actually in Buenos Aires more than 1,000 miles away.  "I am coming after you with everything I have," O'Reilly said in an on-the-record phone call to Steel. "You can take it as a threat."

She may wear pearls and a pussycat bow blouse, but Steel doesn't scare easily. With the strong backing of their editor, the two reporters continued to mine Fox News for sexual harassment stories. 

In her more defeated moments, Steel found inspiration—in an instance of life imitating art imitating life—in the movie Spotlight. "I would listen to what Rachel McAdams would say. She would say things like, 'The words are really important.' And when we're telling these stories, the details are really specific," she says. She tried mimicking McAdams' character, Sacha Pfeiffer of the Boston Globe. "I'd say to sources, 'I know it's hard and I know it's scary, but we need to know. We need to know.'"

Steel put in the time to get those sources to trust her. "I think my editors thought I was crazy because I would spend two or three hours on the phone at a time, just to make people feel comfortable and get them to talk. But that's what it took," she says. "When you're talking about something that's so sensitive like sexual harassment, you can't just call somebody up and say, 'What happened to you?' You need to make them feel comfortable."

Steel's biggest get was Wendy Walsh, and Marie Claire writer Kaitlin Menza shares a good story.  The article doesn't share the background on Steel and Schmidt watching endless hours of Fox News footage, documenting women on air and then suddenly gone. This included not only the obvious Fox anchors but female experts who regularly appeared on O'Reilly shows and then 'poof', no more.

A cardboard cut-out of Donald Trump leans against a window in the New York Times building, not that any of the reporters and editors could forget about him. But Steel finds the present a "really invigorating" time to work in journalism.

"It's given people a sense of purpose of why we're doing the work that we do," she says.

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Givenchy Launches Kids Collection Under Clare Waight Keller

Givenchy's new creative director Clare Waight Keller has made an immediate impact on tomorrow's Givenchy brand with the launch of its first children's collection. The line reinterprets the house’s classic designs – from bomber jacket and jogging pants to logo T-shirts -- with two collections per year, each with over 100 pieces. Designed for kids up to age 12, the snaps show a lot of heart in tomorrow's Givency under the 21st century woman, motherly eye of Keller.